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Sound and music computing. Sound and music computing (SMC) is a research field that studies the whole sound and music communication chain from a multidisciplinary point of view. By combining scientific, technological and artistic methodologies it aims at understanding, modeling and generating sound and music through computational approaches.
Optical music recognition. Optical music recognition (OMR) is a field of research that investigates how to computationally read musical notation in documents. [1] The goal of OMR is to teach the computer to read and interpret sheet music and produce a machine-readable version of the written music score. Once captured digitally, the music can be ...
Computer music is the application of computing technology in music composition, to help human composers create new music or to have computers independently create music, such as with algorithmic composition programs. It includes the theory and application of new and existing computer software technologies and basic aspects of music, such as ...
Computational musicology includes any disciplines that use computation in order to study music. It includes sub-disciplines such as mathematical music theory, computer music, systematic musicology, music information retrieval, digital musicology, sound and music computing, and music informatics. [2] As this area of research is defined by the ...
EastWest. Musical artist. Website. rayj.com. William Ray Norwood Jr. (born January 17, 1981), [1] known professionally as Ray J, is an American R&B singer, songwriter, television presenter, and actor. Born in McComb, Mississippi and raised in Carson, California, he is the younger brother of singer and actress Brandy. [3][dead link] Ray J's 1997 ...
Emily Howell is a computer program created by David Cope, [1] Dickerson Emeriti Professor of Music at UC Santa Cruz. [2] [3] Emily Howell is an interactive interface that "hears" feedback from listeners, and builds its own musical compositions from a source database, derived from a previous composing program called Experiments in Musical Intelligence (EMI). [4]
A piano trio comprising a pianist, violinist and cellist. Chamber groups traditionally perform publicly from score rather than from memory. Eye movement in music reading is the scanning of a musical score by a musician's eyes. This usually occurs as the music is read during performance, although musicians sometimes scan music silently to study it.
Computer performance of music was born in 1957 when an IBM 704 in NYC played a 17 second composition on the Music I program which I wrote. The timbres and notes were not inspiring, but the technical breakthrough is still reverberating. Music I led me to Music II through V. A host of others wrote Music 10, Music 360, Music 15, Csound and Cmix ...
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