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A minuet ( / ˌmɪnjuˈɛt /; also spelled menuet) is a social dance of French origin for two people, usually in 3. 4 time. The English word was adapted from the Italian minuetto and the French menuet. The term also describes the musical form that accompanies the dance, which subsequently developed more fully, often with a longer musical form ...
The minuet step is the dance step performed in the dance minuet. It "is composed of four plain straight Steps or Walks, and may be performed forwards, backward, sideways, &c." ( Tomlinson 1735, 103) or in a square. [citation needed] The steps are often referred to by direction to distinguish them. "A Movement, or Sink and Rise, being added to ...
Gavotte. The gavotte (also gavot, gavote, or gavotta) is a French dance, taking its name from a folk dance of the Gavot, the people of the Pays de Gap region of Dauphiné in the southeast of France, where the dance originated, according to one source. [1] According to another reference, the word gavotte is a generic term for a variety of French ...
Other dance styles, such as the Italian and Spanish dances of the period, are much less well studied than either English country dance or the French style. The general picture seems to be that during most of the 17th century, a style of late Renaissance dance was widespread, but as time progressed, French ballroom dances such as the minuet were ...
29 October 1787. ( 1787-10-29) Estates Theatre, Prague. Don Giovanni ( Italian pronunciation: [ˌdɔn dʒoˈvanni]; K. 527; Vienna (1788) title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte.
Eine kleine Nachtmusik [a] ( Serenade No. 13 for strings in G major ), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart (1756–1791). The German title means "a little night music". [b] The work is written for an ensemble of two violins, viola, cello and double bass, but is often performed by string orchestras. [3]
The suites were later given the name 'French' (first recorded usage by Friedrich Wilhelm Marpurg in 1762). Likewise, the English Suites received a later appellation. The name was popularised by Bach's biographer Johann Nikolaus Forkel, who wrote in his 1802 biography of Bach, "One usually calls them French Suites because they are written in the French manner."
Orfeo ed Euridice ( [orˈfɛ.o e.d‿ewˈri.di.t͡ʃe]; French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with ...