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This bounteous earth, God's gifts so good and great; In foolish pride, God's holy Name reviling, And yet, in grace, His wrath and judgment wait. When burdens press, and seem beyond endurance, Bowed down with grief, to Him I lift my face; And then in love He brings me sweet assurance: 'My child! for thee sufficient is my grace'.
The verse "Today I am dirty and I want to be pretty, tomorrow I'll know that I'm just dirt" has an Iggy Pop-style vocal delivery, building to the "adrenaline-fueled" chorus. [ 9 ] [ 27 ] [ 58 ] CMJ noted that the song could be interpreted as a tribute to the Columbine shooters, but its point was not to glorify violence; rather, it was to depict ...
Leonard Norman Cohen CC GOQ (September 21, 1934 – November 7, 2016) was a Canadian singer-songwriter, poet, and novelist. Themes commonly explored throughout his work include faith and mortality, isolation and depression, betrayal and redemption, social and political conflict, and sexual and romantic love, desire, regret, and loss. [1]
Marvin Lee Aday was born in Dallas, Texas, on September 27, 1947, [8] [9] the son of Wilma Artie (née Hukel), a schoolteacher and member of the Vo-di-o-do Girls gospel music quartet, and Orvis Wesley Aday, a former police officer who went into business selling a homemade cough remedy with his wife and a friend under the name of the Griffin Grocery Company. [10]
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Come Sunday is a studio album of Christian hymns and spirituals by the jazz double bassist Charlie Haden and the pianist Hank Jones. It was recorded only a few months before Jones's death in May 2010. [1] It was Haden and Jones's second album in this vein since 1994's Steal Away. Come Sunday peaked at number 4 on the Billboard Top Jazz Albums ...
C [10] You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard. This demo was originally released on cassette by Elsinor Records. It proved so popular, Gibbard recruited other musicians to make a full band, which would go on to record ...
Performers. Los Angeles Philharmonic, Yuja Wang. Must the Devil Have All the Good Tunes? is a piano concerto by the American composer John Adams. Its title is taken from a saying attributed to Martin Luther. [1] The work was premiered on March 7, 2019 by Yuja Wang and the Los Angeles Philharmonic, conducted by Gustavo Dudamel. [2]