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The original 1977 tape of Lennon singing the song was recorded on a mono cassette, with vocals and piano on the same track. [16] They were impossible to separate with the technology at the time, so Lynne had to produce the track with voice and piano together, but commented that it was good for the integrity of the project, as Lennon was not ...
No. 1 Andante con moto in E major. No. 2 Andante espressivo in A minor. No. 3 Molto allegro e vivace in A major ("Hunting Song") No. 4 Moderato in A major. No. 5 Poco agitato in F-sharp minor. No. 6 Andante sostenuto in G minor ("Venezianisches Gondellied" [Venetian Boat Song] No. 1) Book 2, Op. 30 (1833–1834) No. 1 Andante espressivo in E ...
33. 20. C minor. 1771. The first of Haydn’s keyboard works to be conceived with the dynamic contrasts only possible with a touch sensitive keyboard e.g. clavichord or fortepiano rather than harpsichord. Published 1780 in Vienna by Artaria as one of a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger.
Piano Solo. (1954) Thelonious Monk Trio. (1954/1956) Piano Solo is a 1954 album by jazz pianist and composer Thelonious Monk, recorded in Paris, France, on June 4, 1954, originally for a radio broadcast. [1] [2] The original album was released on the French Disques Vogue label as a 10" LP. Several of the song titles were listed inaccurately on ...
The composer Sergei Rachmaninoff produced a number of solo piano pieces that were either lost, unpublished, or not assigned an opus number. While often disregarded in the concert repertoire, they are nevertheless part of his oeuvre. Sixteen of these pieces are extant; all others are lost. Ten of these pieces were composed before he completed ...
8 Variations in G major on the Dutch song "Laat ons Juichen, Batavieren!" by Christian Ernst Graaf, K. 24 (The Hague, 1766) 7 Variations in D major on the Dutch song "Willem van Nassau", K. 25 (The Hague, 1766)
In a review for AllMusic, Joslyn Layne wrote: "Piano Solo Vol. 1 offers a wide cross-section of the many modes of impressive improviser and pianist Irene Schweizer. It moves almost without pause through various forms and moods... With well-timed moments of suspense and humor, this album is a great listen and a good sampling of what Schweizer does."
That it doesn't sound like any other pianist as much as it sounds like Braxton the saxophonist should not surprise anyone. Braxton approaches standards on piano in much the same way he does on alto. He doesn't just go "out" on the structure; he uses the chords, but he doesn't play patterns or contrived licks over them in the way a bebop player ...