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Christian poetry is any poetry that contains Christian teachings, themes, or references. The influence of Christianity on poetry has been great in any area that Christianity has taken hold. Christian poems often directly reference the Bible, while others provide allegory .
The employment of unusual forms of language cannot be considered as a sign of ancient Hebrew poetry. In Genesis 9:25–27 and elsewhere the form lamo occurs. But this form, which represents partly lahem and partly lo, has many counterparts in Hebrew grammar, as, for example, kemo instead of ke-; [2] or -emo = "them"; [3] or -emo = "their"; [4] or elemo = "to them" [5] —forms found in ...
Greek and Latin metre. The Sapphic stanza, named after Sappho, is an Aeolic verse form of four lines. Originally composed in quantitative verse and unrhymed, since the Middle Ages imitations of the form typically feature rhyme and accentual prosody. It is "the longest lived of the Classical lyric strophes in the West".
"The Touch of the Master's Hand", also sometimes called The Old Violin, [1] is a Christian poem written in 1921 [2] by Myra Brooks Welch. [3]The poem tells of a battered old violin that is about to be sold as the last item at an auction for a pittance, until a violinist steps out of the audience and plays the instrument, demonstrating its beauty and true value.
v. t. e. The Poetic Books, also called the Sapiential Books, are a division of the Christian Bible grouping 5 or 7 books (depending on the canon) in the Old Testament. [1] The term "Sapiential Books" refers to the same set, although not all the Psalms are usually regarded as belonging to the Wisdom tradition. [2]
William Lowth. Profession. Academic (poetry & English grammar) Alma mater. New College, Oxford. Robert Lowth FRS ( / laʊð / LOWDH; 27 November 1710 – 3 November 1787) was a Bishop of Oxford, Bishop of St Davids, Professor of Poetry and the author of one of the most influential textbooks of English grammar .
The poetic style of John Milton, also known as Miltonic verse, Miltonic epic, or Miltonic blank verse, was a highly influential poetic structure popularized by Milton. Although Milton wrote earlier poetry, his influence is largely grounded in his later poems: Paradise Lost, Paradise Regained, and Samson Agonistes .
The composition of The Phoenix dates from the ninth century. Although the text is complete, it has been edited and translated many times. It is a part of the Exeter Book contained within folios 55b-65b, [1] and is a story based on three main sources: Carmen de ave phoenice by Lactantius (early fourth century), the Bible, and Hexaemeron by Ambrose.