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Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.
"E-flat was the key Haydn chose most often for [string] quartets, ten times in all, and in every other case he wrote the slow movement in the dominant, B-flat major." [ 2 ] Or "when composing church music and operatic music in E-flat major, [Joseph] Haydn often substituted cors anglais for oboes in this period", and also in Symphony No. 22 .
E-flat minor is a minor scale based on E ♭, consisting of the pitches E ♭, F, G ♭, A ♭, B ♭, C ♭, and D ♭. Its key signature consists of six flats. Its relative key is G-flat major (or enharmonically F-sharp major) and its parallel key is E-flat major. Its enharmonic equivalent, D-sharp minor, contains the same number of sharps .
The Symphony in E-flat, Op. 1, is the first published work composed by Igor Stravinsky during his apprenticeship with Nikolai Rimsky-Korsakov. It is also his first composition for orchestra. Of classical structure, it is broadly influenced by Rimsky-Korsakov, Glazunov, Tchaikovsky and Wagner. [ 1] It was composed in 1905–1907 and revised in 1913.
Pyotr Ilyich Tchaikovsky 's Symphony in E-flat was commenced after Symphony No. 5, and was intended initially to be the composer's next (i.e. sixth) symphony. Tchaikovsky abandoned this work in 1892, only to reuse the first movement in the single-movement Third Piano Concerto, Op. 75, first performed and published after his death in 1895.
Prelude in E-flat minor (Rachmaninoff) Complex chromatic sequences must be played presto. The Prelude in E-Flat Minor, Op. 23 No. 9 is a 1903 composition by Sergei Rachmaninoff. [1] It is part of Rachmaninoff's Ten Preludes, Op. 23, and is one of the most difficult of the set.
The Piano Sonata in E-flat major, Hob. XVI/52, L. 62, was written in 1794 by Joseph Haydn.It is the last of Haydn's piano sonatas, and is widely considered his greatest. It has been the subject of extensive analysis by distinguished musicological personages such as Heinrich Schenker and Sir Donald Tovey, largely because of its expansive length, unusual harmonies and interesting development. [1]
E♭ (musical note) E♭ ( E-flat) or mi bémol is the fourth semitone of the solfège . It lies a diatonic semitone above D and a chromatic semitone below E, thus being enharmonic to D ♯ ( D-sharp) or re dièse. In equal temperament it is also enharmonic with F (F-double flat). However, in some temperaments, D ♯ is not the same as E ♭.
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