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E-flat minor is a minor scale based on E ♭, consisting of the pitches E ♭, F, G ♭, A ♭, B ♭, C ♭, and D ♭. Its key signature consists of six flats. Its relative key is G-flat major (or enharmonically F-sharp major) and its parallel key is E-flat major. Its enharmonic equivalent, D-sharp minor, contains the same number of sharps .
Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.
E-flat major was the second-flattest key Mozart used in his music. For him, E-flat major was associated with Freemasonry; "E-flat evoked stateliness and an almost religious character." [4] Edward Elgar wrote his Variation IX "Nimrod" from the Enigma Variations in E-flat major. Its strong, yet vulnerable character has led the piece to become a ...
The Symphony in E-flat, Op. 1, is the first published work composed by Igor Stravinsky during his apprenticeship with Nikolai Rimsky-Korsakov. It is also his first composition for orchestra. Of classical structure, it is broadly influenced by Rimsky-Korsakov, Glazunov, Tchaikovsky and Wagner. [ 1] It was composed in 1905–1907 and revised in 1913.
E major. E major (or the key of E) is a major scale based on E, consisting of the pitches E, F ♯, G ♯, A, B, C ♯, and D ♯. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has six flats and the double-flat B, which makes that key less ...
Tuba in E-flat (written at concert pitch when using the bass clef, only transposing when written in treble clef) Circular altohorn (Koenig horn) pitched in E ♭. Tenor cornet. Mellophone. Alto trombone. Vocal horn ( cornet with an upward-facing bell) Duplex horn (Gemelli) pitched in E ♭. Tenor horn (with a forward-facing bell)
E♭ (musical note) E♭ ( E-flat) or mi bémol is the fourth semitone of the solfège . It lies a diatonic semitone above D and a chromatic semitone below E, thus being enharmonic to D ♯ ( D-sharp) or re dièse. In equal temperament it is also enharmonic with F (F-double flat). However, in some temperaments, D ♯ is not the same as E ♭.
Notes that are shown as sharp or flat in a key signature will be played that way in every octave—e.g., a key signature with a B ♭ indicates that every B is played as a B ♭. A key signature indicates the prevailing key of the music and eliminates the need to use accidentals for the notes that are always flat or sharp in that key. A key ...
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