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Power of Love is the second studio album by Hour Glass, issued in March 1968 on Liberty Records, the final by the group with the namesakes of The Allman Brothers Band.After the failure of their first album, Liberty Records allowed a greater independence for the group, who had been virtually shut out of the decision making for their first album by the label and producer Dallas Smith.
Sgt. Pepper's Lonely Hearts Club Band. The Beatles ' 1967 album Sgt. Pepper's Lonely Hearts Club Band has a widely recognized album cover that depicts several dozen celebrities and other images. The image was made by posing the Beatles in front of life-sized, black-and-white photographs pasted onto hardboard and hand-tinted.
The album covers of Blue Note Records, an American jazz record label, have been recognized for their distinctive designs. Many of these covers feature a combination of bold colors, experimental typography, and candid photographs of the album's musicians, and have been described as belonging to the Bauhaus and Swiss Style movements.
The Lexicon of Love. The Lexicon of Love is the debut studio album by the English pop band ABC. Released by Neutron Records on 21 June 1982, it entered the UK Albums Chart at number one, also topping the New Zealand and Finnish charts. Certified gold in the US, it went platinum in the UK where four singles reached the top 20; "Tears Are Not ...
Majestic, a live CD and DVD from piano performer Kim Collingsworth and friends stemmed from a show in Spartanburg Memorial Auditorium with a crowd of more than 2,300 over a 5-hour concert. A DVD, We Will Serve the Lord, was released in October, 2014. [6] In 2018, they released their album Mercy and Love, a collection of covers and new songs. [3]
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Hour Glass is the debut studio album by the group of the same name, issued in October 1967 on Liberty Records. The band featured Gregg Allman and his brother Duane Allman, who later formed The Allman Brothers Band . The album was recorded by Dallas Smith, a producer noted for his work with Bobby Vee, but the band disliked his production work on ...
The video includes live performances, as well as interview clips, news footage and the band's home movies. [1] The live material is drawn largely from the band's 1991 Nevermind tour, with their shows at the Paramount Theatre in Seattle, Washington, on October 31, 1991, and Paradiso in Amsterdam, Netherlands, on November 25, 1991, featured most prominently.