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An acrostic is a poem or other word composition in which the first letter (or syllable, or word) of each new line (or paragraph, or other recurring feature in the text) spells out a word, message or the alphabet. [ 1] The term comes from the French acrostiche from post-classical Latin acrostichis, from Koine Greek ἀκροστιχίς, from ...
Limerick (poetry) A limerick ( / ˈlɪmərɪk / LIM-ər-ik) [ 1] is a form of verse that appeared in England in the early years of the 18th century. [ 2] In combination with a refrain, it forms a limerick song, a traditional humorous drinking song often with obscene verses. It is written in five-line, predominantly anapestic and amphibrach [ 3 ...
Clerihew. A clerihew ( / ˈklɛrɪhjuː /) is a whimsical, four-line biographical poem of a type invented by Edmund Clerihew Bentley. The first line is the name of the poem's subject, usually a famous person, and the remainder puts the subject in an absurd light or reveals something unknown or spurious about the subject.
An example of this is The Ring and the Book by Robert Browning. In terms of narrative poetry, romance is a narrative poem that tells a story of chivalry. Examples include the Romance of the Rose or Tennyson's Idylls of the King. Although those examples use medieval and Arthurian materials, romances may also tell stories from classical mythology.
Canadian author Elizabeth Smart 's By Grand Central Station I Sat Down and Wept (1945) is a relatively isolated example of mid-20th-century English-language poetic prose. [citation needed] Prose poems made a resurgence in the early 1950s and in the 1960s with American poets Allen Ginsberg, Bob Dylan, Jack Kerouac, William S. Burroughs, Russell ...
Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. [ 1] It is sometimes referred to as visual poetry, a term that has now developed a distinct meaning of its own. Concrete poetry relates more to the visual than to the verbal arts although ...
The English word epic comes from Latin epicus, which itself comes from the Ancient Greek adjective ἐπικός (epikos), from ἔπος (epos), [3] "word, story, poem." [4]In ancient Greek, 'epic' could refer to all poetry in dactylic hexameter (epea), which included not only Homer but also the wisdom poetry of Hesiod, the utterances of the Delphic oracle, and the strange theological verses ...
Spanish devotional poetry adapted the lyric for religious purposes. Notable examples were Teresa of Ávila, John of the Cross, Sor Juana Inés de la Cruz, Garcilaso de la Vega, Francisco de Medrano and Lope de Vega. Although better known for his epic Os Lusíadas, Luís de Camões is also considered the greatest Portuguese lyric poet of the period.