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Comparison with the same subject, now in the Walters Art Gallery, Baltimore, USA, suggests that the National Gallery version was painted first, from detailed preparatory drawings (now lost), while the other may have been copied in De La Hyre's studio. Previously blanched paint revealed during cleaning had to be retouched.
This article was first published in the National Gallery Technical Bulletin Volume 14, 1993 Keywords canvas, copies, Laurent de La Hyre, drawings, National Gallery (London), paint, pigment, Walters Art Gallery (Baltimore, Maryland, USA)
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Get all the latest news from the Gallery's Bicentenary year, updates on exhibitions, plus occasional offers and information on how to support us.
Get all the latest news from the Gallery's Bicentenary year, updates on exhibitions, plus occasional offers and information on how to support us.