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Stereo Review was an American magazine first published in 1958 [2] by Ziff-Davis with the title HiFi and Music Review. [3] During the initial phase the magazine was headquartered in Chicago, Illinois. [3] It was one of a handful of magazines then available for the individual interested in high fidelity. Throughout its life it published a blend ...
He also began writing the monthly column "Technical Talk." Hirsch estimated that he wrote about 4,000 laboratory test reports for various publications, 2,400 of those at Stereo Review, by the time he retired in 1998. [1] He remained an editor-at-large for Stereo Review, which merged with Video magazine, and in 2000 was renamed Sound & Vision.
New York City. Language. English. Website. www .stereophile .com. ISSN. 0585-2544. Stereophile is a monthly American audiophile magazine which reviews high-end audio equipment, such as loudspeakers and amplifiers, and audio-related news.
CD Review (also known as Digital Audio and Digital Audio and Compact Disc Review) Chainsaw. Chart Attack. Cheetah. Chicago Innerview. Chief Magazine. Christian Music Planet. Chronicles of Chaos. Chunklet.
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ISSN. 0018-1455. High Fidelity — often abbreviated HiFi — was an American magazine that was published from April 1951 until July 1989 and was a source of information about high fidelity audio equipment, video equipment, audio recordings, and other aspects of the musical world, such as music history, biographies, and anecdotal stories by or ...
Audio. (magazine) Audio magazine was a periodical published from 1947 to 2000. It was America's longest-running audio magazine. [ 1] Audio published reviews of audio products and audio technology as well as informational articles on topics such as acoustics, psychoacoustics and the art of listening. Audio claimed to be the successor of Radio ...
Harry Pearson (audio critic) Harry Hall Pearson, Jr. (January 5, 1937 – November 4, 2014), known to his readers as HP, was an American journalist, audio reviewer, and publisher who founded The Absolute Sound magazine for high-end audio enthusiasts. Pearson is considered the most influential figure in the history of audiophile journalism. [ 1]