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The psychology of music preference is the study of the psychological factors behind peoples' different music preferences. One study found that after researching through studies from the past 50 years, there are more than 500 functions for music. [ 1] Music is heard by people daily in many parts of the world, and affects people in various ways ...
Music psychology is a field of research with practical relevance for many areas, including music performance, composition, education, criticism, and therapy, as well as investigations of human attitude, skill, performance, intelligence, creativity, and social behavior . Music psychology can shed light on non-psychological aspects of musicology ...
The neuroscience of music is the scientific study of brain-based mechanisms involved in the cognitive processes underlying music. These behaviours include music listening, performing, composing, reading, writing, and ancillary activities. It also is increasingly concerned with the brain basis for musical aesthetics and musical emotion.
This Is Your Brain on Music: The Science of a Human Obsession is a popular science book written by the McGill University neuroscientist Daniel J. Levitin, and first published by Dutton Penguin in the U.S. and Canada in 2006, and updated and released in paperback by Plume/Penguin in 2007. It has been translated into 18 languages and spent more ...
Purpose. According to Sacks [citation needed], Musicophilia was written in an attempt to widen the general populace's understanding of music and its effects on the brain. As Sacks states at the outset of the book's preface, music is omnipresent, influencing human's everyday lives in how we think and act.
Musical disorders. With a growing interest in music cognition amongst neuroscientists, music-specific disorders are becoming more relevant in research and in understanding music processing in the brain. Several music-specific disorders have been identified, with causes ranging from congenital to acquired (specific lesions in the brain).
Extra-musical features refer to extra-musical information detached from auditory music signals, such as the genre or style of music. [14] These different factors influence expressed emotion at different magnitudes, and their effects are compounded by one another. Thus, experienced emotion is felt to a stronger degree if more factors are present.
This is your brain on music. New York: Plume. —Recording engineer turned music psychologist Daniel Levitin talks about the psychology of music in an up tempo, informal, and personal way. Examples drawn from rock and related genres and the limited use of technical terms are two features of the book that make the book appealing to a wide audience.