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Dynamic range. Dynamic range (abbreviated DR, DNR, [ 1] or DYR[ 2]) is the ratio between the largest and smallest values that a certain quantity can assume. It is often used in the context of signals, like sound and light. It is measured either as a ratio or as a base-10 ( decibel) or base-2 (doublings, bits or stops) logarithmic value of the ...
Dynamic range compression (DRC) or simply compression is an audio signal processing operation that reduces the volume of loud sounds or amplifies quiet sounds, thus reducing or compressing an audio signal's dynamic range.
The dynamic range of a direct-cut vinyl record may surpass 70 dB. Analog studio master tapes can have a dynamic range of up to 77 dB. [5] An LP made out of perfect diamond has an atomic feature size of about 0.5 nanometer, which, with a groove size of 8 micron, yields a theoretical dynamic range of 110 dB. An LP made out of perfect vinyl LP ...
In Audio, the term high dynamic range means there is a lot of variation in the levels of the sound. Here, the dynamic range refers to the range between the highest volume and lowest volume of the sound. XDR (audio) is used to provide higher-quality audio when using microphone sound systems or recording onto cassette tapes.
The terms sounding range, written range, designated range, duration range and dynamic range have specific meanings. The sounding range [ 3 ] refers to the pitches produced by an instrument, while the written range [ 3 ] refers to the compass (span) of notes written in the sheet music, where the part is sometimes transposed for convenience.
The loudness war (or loudness race) is a trend of increasing audio levels in recorded music, which reduces audio fidelity and—according to many critics—listener enjoyment. Increasing loudness was first reported as early as the 1940s, with respect to mastering practices for 7-inch singles. [ 1] The maximum peak level of analog recordings ...
Audio bit depth. An analog signal (in red) encoded to 4-bit PCM digital samples (in blue); the bit depth is four, so each sample's amplitude is one of 16 possible values. In digital audio using pulse-code modulation (PCM), bit depth is the number of bits of information in each sample, and it directly corresponds to the resolution of each sample.
Many audio components are tested for performance using objective and quantifiable measurements, e.g., THD, dynamic range and frequency response. Some take the view that objective measurements are useful and often relate well to subjective performance, i.e., the sound quality as experienced by the listener. [13]