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{{Poetically break lines}} is a template designed to format poetry simply and reliably. It differs from {} in two significant ways: it does not add spacing around the poem that sets it apart as “block quote”, and it automatically provides hanging indentation when lines are so long that they wrap. This is an advantage in a few specific ...
Adds a block quotation. Template parameters Parameter Description Type Status text text 1 quote The text to quote Content required char char The character being quoted Example Alice Content suggested sign sign 2 cite author The person being quoted Example Lewis Carroll Content suggested title title 3 The title of the poem being quoted Example Jabberwocky Content suggested source source 4 A ...
He is a gifted reader and had read most of the books in the Baudelaire library before it burned down. His love of reading and research skills are often useful for foiling Count Olaf's. Klaus is twelve at the beginning of the series and fourteen by the end of The End. Klaus is bespectacled in the books and TV series but not in the film adaptation.
When a poem is flooded with too much emotion, it becomes sentimental, even cheesy; but when a poem risks nothing, it leaves a reader cold. The best love poems enact the hyperaware state of being ...
Roy Croft (sometimes, Ray Croft) is a pseudonym frequently given credit for writing a poem titled "Love" that begins "I love you not only for what you are, but for what I am when I am with you." [1] The poem, which is commonly used in Christian wedding speeches and readings, is quoted frequently. The poem is actually by Mary Carolyn Davies. [2]
Love Poem. Love Poem is the fifth Korean-language extended play (seventh overall) by South Korean singer-songwriter IU. The EP was released on November 18, 2019, through Kakao M. It includes the lead single and title track, "Love Poem", as well as the tracks "Above the Time" and "Blueming", which both received music videos.
"staring at your beautiful face while you sleep doesn’t do it. i’m back to feelings. there are no words. there are no actions. no promises. no declarations.
Publication history. "All Watched Over by Machines of Loving Grace" was first published by the Communication Company, the publishing arm of the Diggers —a street theater and activist group in the Haight-Ashbury area of San Francisco—on an 8.5-by-11-inch (216 by 279 mm) mimeographed broadside with both the title and imprint handwritten. [1]