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"Locomotive Breath" was released on Jethro Tull's 1971 album Aqualung in 1971. An edit of the song was released in the US as a single in 1971, backed with "Wind-Up", though it did not chart. A 1976 single release of the song, backed with "Fat Man", was more successful, reaching number 59 on the Billboard charts [8] and number 85 in Canada. [9]
The songs on the album encompass a variety of musical genres, with elements of folk, blues, psychedelia, and hard rock. [11] The "riff-heavy" nature of tracks such as "Locomotive Breath", "Hymn 43" and "Wind Up" is regarded as a factor in the band's increased success after the release of the album, with Jethro Tull becoming "a major arena act" and a "fixture on FM radio" according to AllMusic.
The song was written by the band's frontman, Ian Anderson, and his then-wife Jennie Franks. While this track was never a single, its self-titled album Aqualung was Jethro Tull's first American Top 10 album, reaching number seven in June 1971. [4] After "Locomotive Breath", it is the song most often played in concert by Jethro Tull. [5]
Minstrel in the Gallery is the eighth studio album by British rock band Jethro Tull, released in September 1975.The album sees the band going in a different direction from their previous work War Child (1974), returning to a blend of electric and acoustic songs, in a manner closer to their early 1970s albums such as Benefit (1970), Aqualung (1971) and Thick as a Brick (1972).
The Zealot Gene is the 22nd studio album by the British rock band Jethro Tull, released on 28 January 2022 by Inside Out Music. [2] [3] Nearly five years in production, it is their first studio album since The Jethro Tull Christmas Album (2003), and their first of all original material since J-Tull Dot Com (1999), marking the longest gap between the band's studio albums.
The song has been met with positive reviews throughout the years since its release. [9] In 2021, the website Ultimate Classic Rock said this about the song "The band's newfound musical maturity was readily apparent in the haunting, " Layla "-esque coda to "Locomotive," replete with urgent piano chords, Axl Rose 's multi-tracked crooning and one ...
Cash Box described the lyrics saying that "in James Taylor fashion, Jim Croce tries to track down his long lost lover with the help of the operator." [3] The song relates one side of a conversation with a telephone operator. The speaker is trying to find the phone number of his former lover, who has moved to Los Angeles with his former best friend.
vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [ 1] Rotations include: I–V–vi–IV : C–G–Am–F. V ...