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Macbeth. (Verdi) Macbeth ( Italian pronunciation: [ˈmakbet; makˈbɛt]) [ 1] is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare 's play of the same name. Written for the Teatro della Pergola in Florence, Macbeth was Verdi's tenth opera and ...
Macbeth and Banquo with the Witches by Henry Fuseli. The Three Witches first appear in Act 1, Scene 1, where they agree to meet later with Macbeth. In Act 1, Scene 3, they greet Macbeth with a prophecy that he shall be king, and his companion, Banquo, with a prophecy that he shall generate a line of kings. The prophecies have great impact upon ...
Macbeth, Act I, Scene IV Macbeth is an anomaly among Shakespeare's tragedies in certain critical ways. It is short: more than a thousand lines shorter than Othello and King Lear, and only slightly more than half as long as Hamlet. This brevity has suggested to many critics that the received version is based on a heavily cut source, perhaps a prompt-book for a particular performance. This would ...
"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff, are approaching Macbeth's castle to
The Queen in "Hamlet" by Edwin Austin Abbey. " The lady doth protest too much, methinks " is a line from the play Hamlet by William Shakespeare. It is spoken by Queen Gertrude in response to the insincere overacting of a character in the play within a play created by Prince Hamlet to elicit evidence of his uncle's guilt in the murder of his ...
To be, or not to be. " To be, or not to be " is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare 's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre ...
On the Knocking at the Gate in Macbeth. " On the Knocking at the Gate in Macbeth " is an essay in Shakespearean criticism by the English author Thomas De Quincey, first published in the October 1823 edition of The London Magazine. Though brief, less than 2,000 words in length, [ 1] it has been called "De Quincey's finest single critical piece ...
In Act 3, Scene 1, some of Warwick's attack on Winchester is absent: "You see what mischief – and what murder too –/Hath been enacted through your enmity" (ll.27–28). In Act 4, Scene 6, some of the dialogue between Talbot and John has been removed (ll.6–25). The most interesting omissions come in Act 4, Scene 7.