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The Green Leaves of Summer. " The Green Leaves of Summer ", composed by Dimitri Tiomkin with lyrics by Paul Francis Webster, was written for the 1960 film The Alamo. [1] It was performed in the film's score by the vocal group The Brothers Four. In 1961, the song was nominated for an Academy Award; its parent soundtrack, for the film The Alamo ...
Lester Koenig. Hampton Hawes chronology. For Real! (1961) The Green Leaves of Summer. (1964) Here and Now. (1965) The Green Leaves of Summer is an album by American jazz pianist Hampton Hawes recorded in 1964 and released on the Contemporary label.
Died. March 18, 1984. (1984-03-18) (aged 76) Beverly Hills, California, United States. Occupation. Lyricist. Paul Francis Webster (December 20, 1907 – March 18, 1984) [1] was an American lyricist who won three Academy Awards for Best Original Song, and was nominated sixteen times for the award.
Songwriter (s) Hideki Fujisawa. " Yatta! " (やった "Hooray") is a 2001 parody song by the fictional Japanese boy band Green Leaves (はっぱ隊, Happa-tai). The song title, yatta, is the past tense of the Japanese verb yaru ("to do"), an exclamation meaning "It's done!", "I did it!", "Ready!" or "All right!" The song and video have been ...
Paul Simon. " Leaves That Are Green " is a song written and originally recorded by Paul Simon for his 1965 album The Paul Simon Songbook. [2][3] It was later re-recorded with Art Garfunkel for the 1966 album Sounds of Silence, adding an electric harpsichord, rhythm guitar, and bass. [4] It was also the B-side to the hit song "Homeward Bound".
Jazz, jazz fusion, soul jazz, jazz-funk. Occupation. Musician. Instrument. Piano. Labels. Contemporary, Discovery, Fantasy. Hampton Barnett Hawes Jr. (November 13, 1928 – May 22, 1977) [1] was an American jazz pianist. He was the author of the memoir Raise Up Off Me, [2] which won the Deems-Taylor Award for music writing in 1975.
Summer Side of Life is Canadian singer-songwriter Gordon Lightfoot's sixth studio album. It was released in 1971 on the Reprise Records Label. The album marked a departure from the sound Lightfoot had established on Sit Down Young Stranger in its use of drums and electric instrumentation, to which he would later return in the second half of the decade.
The limitations of the ukulele causes the orchestra to think creatively about how to cover a musical piece, popular tunes are broken down to their constituent parts and then with each musician sticking a distinct part, the combination of different soprano, tenor, baritone and bass registers of ukuleles are used (with separate members playing ...
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