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Hand-colouring is also known as hand painting or overpainting. Typically, watercolours, oils, crayons or pastels, and other paints or dyes are applied to the image surface using brushes, fingers, cotton swabs or airbrushes. Hand-coloured photographs were most popular in the mid- to late-19th century before the invention of colour photography ...
Monochrome photography is photography where each position on an image can record and show a different amount of light, but not a different hue. It includes all forms of black-and-white photography, which produce images containing shades of neutral grey ranging from black to white. [ 1] Other hues besides grey, such as sepia, cyan, blue, or ...
Sexton's process consists of large-format 4x5 photography and black and white silver gelatin prints. [3] Like his mentor Ansel Adams, his prints are characterized by great tonal quality resulting from his darkroom virtuosity - Sexton provides abundant technical notes in his books.
Gelatin silver process. The gelatin silver process is the most commonly used chemical process in black-and-white photography, and is the fundamental chemical process for modern analog color photography. As such, films and printing papers available for analog photography rarely rely on any other chemical process to record an image.
Pepper No. 30. Pepper No. 30 (1930) by Edward Weston. Posthumous print by his son Cole Weston. Pepper No. 30 is a black and white photograph and is one of the best-known photographs taken by Edward Weston. It depicts a solitary green pepper in rich black-and-white tones, with strong illumination from above.
In photography, toning is a method of altering the color of black-and-white photographs. In analog photography, it is a chemical process carried out on metal salt-based prints, such as silver prints, iron-based prints ( cyanotype or Van Dyke brown ), or platinum or palladium prints. This darkroom process cannot be performed with a color photograph.
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