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According to art historian Paul Zanker, the bearded type has long hair from the start, and a relatively long beard (contrasting with the short "classical" beard and hair always given to St Peter, and most other apostles); [42] this depiction is specifically associated with "Charismatic" philosophers like Euphrates the Stoic, Dio of Prusa and ...
Harald Fairhair[ a] ( Old Norse: Haraldr Hárfagri) ( c. 850 – c. 932) was a Norwegian king. According to traditions current in Norway and Iceland in the eleventh and twelfth centuries, he reigned from c. 872 to 930 and was the first King of Norway. [ 1][ 2] Supposedly, two of his sons, Eric Bloodaxe and Haakon the Good, succeeded Harald to ...
Muhammad's ascent into the Heavens, a journey known as the Mi'raj, as depicted in a copy of the Bostan of Saadi, 1514. An image from the Houghton Shahnameh ( Metropolitan Museum of Art ), dated 1530 - 1535. A miraj image, reflecting the new, Safavid convention of depicting Muhammad veiled, dated 1539 - 1543.
A kolinsky sable -hair brush (also known as red sable or sable hair brush) is a fine artists ' paintbrush . The hair is obtained from the tail of the kolinsky ( Mustela sibirica ), a species of weasel rather than an actual sable. The "finest" brushes are made from the male hair only, but most brushes have a mix of about 60/40 male-to-female hair.
A hair weave is a human or artificial hair utilized for integration with one's natural hair. Weaves can alter one's appearance for long or short periods of time by adding further hair to one's natural hair or by covering the natural hair together with human or synthetic hairpieces. Weaving additional human or synthetic pieces can enhance one's ...
Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was ...
La Scapigliata ( Italian for 'The Lady with Dishevelled Hair') [ n 1] is an unfinished painting generally attributed to the Italian High Renaissance artist Leonardo da Vinci, and dated c. 1506–1508. Painted in oil, umber, and white lead pigments on a small poplar wood panel, its attribution remains controversial, with several experts ...
Body proportions is the study of artistic anatomy, which attempts to explore the relation of the elements of the human body to each other and to the whole. These ratios are used in depictions of the human figure and may become part of an artistic canon of body proportion within a culture. Academic art of the nineteenth century demanded close ...