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The most common sleeve tattoo is a full sleeve, which covers the arm entirely in tattoos from the shoulder to the wrist. Other variations of sleeves are the half-sleeve and quarter-sleeve. These tattoos only cover part of the arm, usually above the elbow, but half-sleeves can also be found on the forearm from the wrist to the elbow.
The main and defining characteristics of blackout tattooing is tattooing a portion of skin completely solid black. [ 19] These tattoos often have abstract geometric designs. [ 20][ 21] Blacking out a portion of skin can take several hours, as the artist needs to ensure that the tattoo ink is evenly deposited, [ 22] while also minimising scarring.
Tā moko is the permanent marking or "tattoo" as traditionally practised by Māori, the indigenous people of New Zealand. It is one of the five main Polynesian tattoo styles (the other four are Marquesan, Samoan, Tahitian and Hawaiian). [1] Tohunga-tā-moko (tattooists) were considered tapu, or inviolable and sacred. [2]
Tattoos were symbols of tribal identity and kinship, as well as bravery, beauty, and social or wealth status. They were also believed to have magical or apotropaic abilities, and can also document personal or communal history. Their design and placement varied by ethnic group, affiliation, status, and gender.
Yantra tattooing. Yantra tattooing or Sak Yant is a form of tattooing using Indian yantra designs. It consists of sacred geometrical, animal and deity designs accompanied by Pali phrases that are said to offer power, protection, fortune, charisma and other benefits for the bearer.
Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
The custom was first recorded in the 16th century but is believed to date back much further. The tattoos could represent pride in being a woman, beauty, and protection. [4] They were associated with rites of passage for women and could indicate marital status. The motifs and shapes varied from island to island.
Leo Zulueta was born in 1952 in a naval hospital in Bethesda, Maryland. [1] He was born into a Roman Catholic Filipino American family. [4] Zulueta spent his early years on the island of Oahu in Hawaii and in San Diego, California. [1] He attended San Diego State College in 1970, where he studied arts and crafts.
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