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Oshibana (押し花) is the art of using pressed flowers and other botanical materials to create an entire picture from these natural elements. [ 1] Such pressed flower art consists of drying flower petals and leaves in a flower press to flatten them, exclude light and press out moisture. These elements are then used to "paint" an artistic ...
Shōka arrangement by the 40th headmaster Ikenobō Senjō, drawing from the Sōka Hyakki by the Shijō school, 1820. Ikebana flower arrangement in a tokonoma (alcove), in front of a kakemono (hanging scroll) Ikebana ( 生け花, 活け花, 'arranging flowers' or 'making flowers alive') is the Japanese art of flower arrangement. [ 1][ 2] It is ...
Gongbi. Gongbi ( simplified Chinese: 工笔; traditional Chinese: 工筆; pinyin: gōng bǐ; Wade–Giles: kung-pi) is a careful realist technique in Chinese painting, the opposite of the interpretive and freely expressive xieyi (寫意 'sketching thoughts') style. The name is from the Chinese gong jin meaning 'tidy' (meticulous brush ...
Rose-painting. Rose painting with floral paintings in a traditional design. Rose-painting, rosemaling, rosemåling or rosmålning is a Scandinavian decorative folk painting that flourished from the 1700s to the mid-1800s, particularly in Norway. In Sweden, rose-painting began to be called dalmålning, c. 1901, for the region Dalecarlia where it ...
Flower paintings of Georgia O'Keeffe. Georgia O'Keeffe, Red Canna, 1919, High Museum of Art, Atlanta, Georgia. The American artist Georgia O'Keeffe is best known for her close-up, or large-scale flower paintings, [ 1] which she painted from the mid-1920s through the 1950s. [ 2] She made about 200 paintings of flowers of the more than 2,000 ...
Van Gogh's artistic transition reflected in his still lifes (1886–1887) Vase with Red Gladioli, 1886, Private collection (F247) This painting represents some of Van Gogh's early Paris still life, where he introduced brighter, contrasting color. Fritillaries in a Copper Vase, 1887, Musée d'Orsay, Paris (F213) This is an example of Van Gogh's ...
Impasto is a technique used in painting, where paint is laid on an area of the surface thickly, [1] usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas. When dry, impasto provides texture; the paint appears to be coming out of the canvas.
Rangoli is an art form that originates from the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in many Hindu households, however making it is mostly ...
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