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The Hollow-Face illusion (also known as Hollow-Mask illusion) is an optical illusion in which the perception of a concave mask of a face appears as a normal convex face. While a convex face will appear to look in a single direction, and the gaze of a flat face, such as the Lord Kitchener Wants You poster, can appear to track a moving viewer, a ...
Satellite photograph of a mesa in the Cydonia region of Mars, often called the "Face on Mars" and cited as evidence of extraterrestrial habitation. Pareidolia (/ ˌ p ær ɪ ˈ d oʊ l i ə, ˌ p ɛər-/; [1] also US: / ˌ p ɛər aɪ-/) [2] is the tendency for perception to impose a meaningful interpretation on a nebulous stimulus, usually visual, so that one detects an object, pattern, or ...
The race and appearance of Jesus, widely accepted by researchers to be a Judean from Galilee, [ 1] has been a topic of discussion since the days of early Christianity. Various theories about the race of Jesus have been proposed and debated. [ 2][ 3] By the Middle Ages, a number of documents, generally of unknown or questionable origin, had been ...
Earlier this year a picture re-emerged that showed what Jesus might have looked like as a kid. Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from ...
Objective vision theory. Hans Grass (1964) proposed an "objective vision hypothesis," in which Jesus' appearances are "divinely caused visions," showing his followers that his resurrection "was a spiritual reality." [36] Jesus' spirit was resurrected, but his body remained dead, explaining the belated conversion of Jesus' half-brother James.
Head of Christ. The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by American artist Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [ 1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [ 2]
The face that Neave constructed suggested that Jesus would have had a broad face and large nose, and differed significantly from the traditional depictions of Jesus in renaissance art. [82] Additional information about Jesus' skin color and hair was provided by Mark Goodacre, a New Testament scholar and professor at Duke University. [82]
Each 56.5 cm × 19.7 cm (22.25 in × 7.75 in); Metropolitan Museum of Art, New York. The Crucifixion and Last Judgement diptych (or Diptych with Calvary and Last Judgement) [ 1] consists of two small painted panels attributed to the Early Netherlandish artist Jan van Eyck, with areas finished by unidentified followers or members of his workshop.