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In the Baroque period, D major was regarded as "the key of glory"; [1] hence many trumpet concertos were in D major, such as those by Johann Friedrich Fasch, Gross, Molter (No. 2), Leopold Mozart, Telemann (No. 2), and Giuseppe Torelli. Many trumpet sonatas were in D major, too, such as those by Corelli, Petronio Franceschini, Purcell, and
In music for the harp, D-flat major is preferred enharmonically not only because harp strings are more resonant in the flat position and the key has fewer accidentals, but also because modulation to the dominant key is easier (by putting the G pedal in the natural position, whereas there is no double-sharp position in which to put the F pedal ...
The lute parts are written primarily as chords, and the lute player is intended to play arpeggios based on these chords. [4] The piece also includes important parts for the violins. [4] Today, Ben Salfield is one of the few lutenists to perform the concerto regularly in European concerts. [citation needed] The concerto is usually played on guitar.
Magnificat and Nunc dimittis in D (Wood) Mass in D major (Dvořák) Mass in D major, K. 194; Mass in D (Smyth) Mayer Cantata, WAB 60; Mazurkas, Op. 33 (Chopin) Mazurkas, Op. posth. (Chopin) Meeresstille und glückliche Fahrt (Beethoven) Missa Brevis (Britten) Missa solemnis (Beethoven) Mu isamaa, mu õnn ja rõõm
Similar to a D minor symphony ending in D major, as with Beethoven's Symphony No. 9, a D major symphony can have for its allegro first movement a slow introduction in D minor. Robbins Landon wrote that "Tonic minor Adagio introductions, especially in the key of D minor, were very popular with English composers of the year 1794", and Joseph ...
D major, Trio in G major. In the athletic Scherzo, Schubert expands a jaunty dotted-note idea to its limits, with thick chordal writing and frequent abrupt changes of register, texture, and key. Hemiola is used extensively - a strong 3/2 pulse pervades the 3/4 Scherzo. The stately trio, with its even, lyrical repeated chords and distant ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.