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Famille rose. Famille rose (French for " pink family ") is a type of Chinese porcelain introduced in the 18th century and defined by pink overglaze enamel. It is a Western classification for Qing dynasty porcelain known in Chinese by various terms: fencai, ruancai, yangcai, and falangcai. [ 1] The colour palette is thought to have been brought ...
Wade–Giles. Ju 3 -tzʻŭ 2. Ru ware, Ju ware, or "Ru official ware" ( Chinese: 汝瓷, ruyao) is a famous and extremely rare type of Chinese pottery from the Song dynasty, produced for the imperial court for a brief period around 1100. Fewer than 100 complete pieces survive, though there are later imitations which do not entirely match the ...
Hirado ware. Hirado ware ( Japanese: 平戸焼, Hepburn: hirado-yaki) is a type of Japanese porcelain mostly made at kilns at Mikawachi, Sasebo, Nagasaki, and it is therefore also known as Mikawachi ware (三川内焼, Mikawachi-yaki). It was made in the former feudal Hirado Domain, which owned the kilns, and was responsible for establishing ...
A bowl made around 900 years ago has just fetched $38 million at auction, setting a new record for Chinese porcelain. The antique Chinese bowl was made around 900 years ago during the Song Dynasty ...
Dehua porcelain ink brush holder, with design of carved cranes and lotuses worked into the paste. Late 17th–18th century (Qing dynasty), 9.7 cm (3.8 in) tallDehua porcelain (Chinese: 德化陶瓷; pinyin: Déhuà Táocí; Pe̍h-ōe-jī: Tek-hòe hûi), more traditionally known in the West as Blanc de Chine (French for "White from China"), is a type of white Chinese porcelain, made at Dehua ...
A pair of complementary flasks from Yongle period (1402–1424) in the Ming dynasty. Chinese ceramics are one of the most significant forms of Chinese art and ceramics globally. They range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns, to the sophisticated Chinese porcelain wares ...
Brush pot. A brush pot ( traditional Chinese: 筆筒; simplified Chinese: 笔筒; pinyin: bǐtǒng) is a container for holding the brushes used by scribes for Chinese calligraphy. [1] These are typically carved from bamboo or jade with ornate motifs symbolising concepts such as longevity. Antique examples are now valued highly.
The danger of mechanical cleaning is the potential for the surface to break or become scratched with a tool. Dusting is used when dirt is not strongly adhered to the surface of the ceramic and is carried out by either a brush or a soft cloth. Large ceramic vessels are cleaned with a delicate vacuum cleaner with a soft, muslin-covered head ...
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