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A "Rosie" putting rivets on an Vultee A-31 Vengeance in Nashville, Tennessee, in 1943. Rosie the Riveter is an allegorical cultural icon in the United States who represents the women who worked in factories and shipyards during World War II, many of whom produced munitions and war supplies. [ 1][ 2] These women sometimes took entirely new jobs ...
During World War II, the "We Can Do It!" poster was not connected to the 1942 song "Rosie the Riveter", nor to the widely seen Norman Rockwell painting called Rosie the Riveter that appeared on the cover of the Memorial Day issue of the Saturday Evening Post, May 29, 1943. The Westinghouse poster was not associated with any of the women ...
Rosie the Riveter (Westinghouse poster, 1942). The image became iconic in the 1980s. American women in World War II became involved in many tasks they rarely had before; as the war involved global conflict on an unprecedented scale, the absolute urgency of mobilizing the entire population made the expansion of the role of women inevitable.
The honor is the crowning achievement for Frances Boggs Metcalf, 100, a Rosie the Riveter during World War II who also served in the U.S. Navy. 5 questions with a Macomb County Congressional Gold ...
Louise Unkrich, an Iowan who was a "Rosie the Riveter," has died. After the war, she became the longtime director of the Swedish-American Museum. One of Iowa's Rosie the Riveters, who worked on ...
During World War II, the Rosies — so-called because of a then-popular song and Hollywood movie in which the central character was a young woman who worked in an aircraft factory — toiled to ...
An American propaganda poster promoting war bonds, depicting Uncle Sam leading the United States Armed Forces into battle. During American involvement in World War II (1941–45), propaganda was used to increase support for the war and commitment to an Allied victory. Using a vast array of media, propagandists instigated hatred for the enemy ...
Rosie the Riveter: Women Working on The Home Front In World War II is an illustrated social history of the lives and contributions of women workers during World War II written by Penny Colman. There are more than sixty archival black-and-white photographs (including one of Norma Jeane Baker Dougherty, who later changed her name to Marilyn ...