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The posters set out to educate and unify the German people before and especially during World War II. The posters were placed in train cars, buses, platforms, ticket windows—anywhere there was dense traffic flow. Very few individuals, at the time, owned a car; most biked, walked, or used public transportation daily. Exposure to the Word of ...
Art of Nazi Germany was characterized by a style of Romantic realism based on classical models. While banning modern styles as degenerate, the Nazis promoted paintings that were narrowly traditional in manner and that exalted the "blood and soil" values of racial purity, militarism, and obedience.
Medium. lithograph. Don't Let that Shadow Touch Them is a U.S. War Bond poster created by Lawrence Beall Smith in 1942, [1] created in support of the U.S. war effort upon America's entry into World War II. [2] It features three young children, apprehensive and fearful, as they are enveloped by the large, dark arm of a swastika shadow. [3]
Film on the home-front during World War II, depicted the war uniting all levels of society, as in the two most popular films of the Nazi era, Die grosse Liebe and Wunschkonzert. Failure to support the war was an anti-social act; this propaganda managed to bring arms production to a peak in 1944.
On 23 September 1939, shortly after the outbreak of World War II, Nazi propaganda minister Joseph Goebbels emphasized the importance of posters to Nazi propaganda efforts, "above all" Parole der Woche. Themes and influence "Whoever wears this sign is an enemy of our people", from the 1 July 1942 issue
German Museum in Munich, featuring a poster of the antisemitic Nazi propaganda film The Eternal Jew (1937) With the establishment of Department V (Film), the Propaganda Ministry became the most important body for the German film industry alongside the Reich Chamber of Culture and the Reich Film Chamber. Initially little changed in the formal ...
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