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The poem on a gravestone at St Peter’s church, Wapley, England. " Do not stand by my grave and weep " is the first line and popular title of the bereavement poem " Immortality ", presumably written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
Such was the popular mood (remember the queues across the bridges near Westminster Abbey) that the words of the poem, so plain as scarcely to be poetic, seemed to strike a chord. Not since Auden's 'Stop All the Clocks' in the film Four Weddings and a Funeral had a piece of funerary verse made such an impression on the nation. In the days ...
Gone From My Sight. " Gone From My Sight ", also known as the " Parable of Immortality " and " What Is Dying " is a poem (or prose poem) presumably written by the Rev. Luther F. Beecher (1813–1903), cousin of Henry Ward Beecher and Harriet Beecher Stowe. At least three publications credit the poem to Luther Beecher in printings shortly after ...
Funeral of President Ford in Washington National Cathedral. As the casket was removed from the hearse, the U.S. Coast Guard Band played Hail to the Chief and Nearer, My God, to Thee . The service [a] in Washington National Cathedral was officially entitled "In Celebration of and Thanksgiving for the Life of Gerald Rudolph Ford, 1913-2006."
A dirge ( Latin: dirige, nenia [1]) is a somber song or lament expressing mourning or grief, such as may be appropriate for performance at a funeral. Often taking the form of a brief hymn, dirges are typically shorter and less meditative than elegies. [2] Dirges are often slow and bear the character of funeral marches.
The Poet's Burial for Love. " The Poet's Burial for Love " (Welsh: Claddu'r Bardd o Gariad or Claddu y Bardd o Gariad) [1] [2] or " The Poet's Burial " (Welsh: Angladd y Bardd) [3] is a Welsh-language love poem in the form of a cywydd in which the poet foresees his own death from unrequited love. It was formerly attributed to the 14th-century ...
Obituary poetry, in the broad sense, includes poems or elegies that commemorate a person's or group of people's deaths . In its stricter sense, though, it refers to a genre of popular verse or folk poetry that had its greatest popularity in the nineteenth century, especially in the United States of America.
Funeral Blues. " Funeral Blues ", or " Stop all the clocks ", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson. Both versions were set to music by the composer Benjamin Britten.
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