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The Shure SM7 is a professional cardioid dynamic microphone, commonly used in broadcasting applications since 1973. Designed by Shure, it has been described as an "iconic" industry standard microphone for its focused, directional sound and its widespread adoption in radio, television and recording studios. In 2007–2008, the SM7B model became ...
A component having a 'flat' frequency response will not change the weighting (i.e., intensity) of signal content across the specified frequency range. The frequency range often specified for audio components is between 20 Hz to 20 kHz, which broadly reflects the human hearing range (the highest audible frequency for most people is less than 20 ...
The Shure MV7 is a cardioid dynamic microphone used for podcasting and home studio applications. The MV7 was developed in 2020 by Shure as a digital audio reworking of the classic SM7B professional broadcasting microphone. The MV7 was rated the best podcasting microphone by Rolling Stone in their 2021 Audio Awards. [1]
Audio feedback (also known as acoustic feedback, simply as feedback) is a positive feedback situation that may occur when an acoustic path exists between an audio output (for example, a loudspeaker) and its audio input (for example, a microphone or guitar pickup). In this example, a signal received by the microphone is amplified and passed out ...
Shure SM57. Appearance. The Shure SM57 microphone. The Shure SM57 is a low- impedance cardioid dynamic microphone made by Shure Incorporated and commonly used in live sound reinforcement and studio recording. It is one of the best-selling microphones in the world. It is used extensively in amplified music and has been used for speeches by every ...
A pistonphone is an acoustical calibrator (sound source) that uses a closed coupling volume to generate a precise sound pressure for the calibration of measurement microphones. The principle relies on a piston mechanically driven to move at a specified cyclic rate, pushing on a fixed volume of air to which the microphone under test is coupled.
A boundary microphone (or pressure zone microphone) is one or more small omnidirectional or cardioid condenser mic capsule (s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule (s) are typically mounted in a flat plate or housing. The arrangement provides a directional half-space pickup pattern ...
Condenser microphones at the time could not compare to its frequency response. Radio City Music Hall employed PB-31s in 1932. [12] The following year, RCA introduced the Type 44A Velocity Microphone. Its tone and pattern control helped reduce reverberation. Many RCA ribbon models are still in use and valued by audio engineers. [13]
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