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  2. Shure SM7 - Wikipedia

    en.wikipedia.org/wiki/Shure_SM7

    The Shure SM7 is a professional cardioid dynamic microphone, commonly used in broadcasting applications since 1973. Designed by Shure, it has been described as an "iconic" industry standard microphone for its focused, directional sound and its widespread adoption in radio, television and recording studios. In 2007–2008, the SM7B model became ...

  3. Shure SM57 - Wikipedia

    en.wikipedia.org/wiki/Shure_SM57

    Shure SM57. Appearance. The Shure SM57 microphone. The Shure SM57 is a low- impedance cardioid dynamic microphone made by Shure Incorporated and commonly used in live sound reinforcement and studio recording. It is one of the best-selling microphones in the world. It is used extensively in amplified music and has been used for speeches by every ...

  4. Shure MV7 - Wikipedia

    en.wikipedia.org/wiki/Shure_MV7

    The Shure MV7 is a cardioid dynamic microphone used for podcasting and home studio applications. The MV7 was developed in 2020 by Shure as a digital audio reworking of the classic SM7B professional broadcasting microphone. The MV7 was rated the best podcasting microphone by Rolling Stone in their 2021 Audio Awards. [1]

  5. Boundary microphone - Wikipedia

    en.wikipedia.org/wiki/Boundary_microphone

    A Crown Audio brand PZM, the "Sound Grabber II". It is shown with adapters to enable it to be connected to different mixers and audio devices. The mic has an internal battery so that it can be used with consumer audio devices that do not supply phantom power. Boundary mics may have XLR or 1/4" TRS jacks. Some use mini-XLR or 1/8" TRS jacks.

  6. Ribbon microphone - Wikipedia

    en.wikipedia.org/wiki/Ribbon_microphone

    Condenser microphones at the time could not compare to its frequency response. Radio City Music Hall employed PB-31s in 1932. [12] The following year, RCA introduced the Type 44A Velocity Microphone. Its tone and pattern control helped reduce reverberation. Many RCA ribbon models are still in use and valued by audio engineers. [13]

  7. Line level - Wikipedia

    en.wikipedia.org/wiki/Line_level

    Line level. Line level is the specified strength of an audio signal used to transmit analog sound between audio components such as CD and DVD players, television sets, audio amplifiers, and mixing consoles. Generally, line level signals sit in the middle of the hierarchy of signal levels in audio engineering.

  8. Ambisonics - Wikipedia

    en.wikipedia.org/wiki/Ambisonics

    Ambisonics. Ambisonics former trademark. Ambisonics is a full-sphere surround sound format: in addition to the horizontal plane, it covers sound sources above and below the listener. [1][2] Unlike some other multichannel surround formats, its transmission channels do not carry speaker signals.

  9. Speech transmission index - Wikipedia

    en.wikipedia.org/wiki/Speech_transmission_index

    Speech Transmission Index (STI) is a measure of speech transmission quality. The absolute measurement of speech intelligibility is a complex science. The STI measures some physical characteristics of a transmission channel (a room, electro-acoustic equipment, telephone line, etc.), and expresses the ability of the channel to carry across the characteristics of a speech signal.

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