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Its relative minor is D-sharp minor (or enharmonically E-flat minor) and its parallel minor is F-sharp minor. Its direct enharmonic, G-flat major, contains the same number of flats in its key signature .
F-flat major (or the key of F-flat) is a theoretical key based on F ♭, consisting of the pitches F ♭, G ♭, A ♭, B double flat, C ♭, D ♭, and E ♭. Its key signature has one double flat and six flats.
Pages in category "Compositions in F-sharp major" The following 18 pages are in this category, out of 18 total. This list may not reflect recent changes . F-sharp major
In music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of the European classical repertoire and the vast majority of blues, jazz and rock music songs are based on chord progressions. "A chord substitution occurs when a chord is replaced by another that ...
For use in cryptography, see Key signature (cryptography). In Western musical notation, a key signature is a set of sharp ( ♯ ), flat ( ♭ ), or rarely, natural ( ♮) symbols placed on the staff at the beginning of a section of music. The initial key signature in a piece is placed immediately after the clef at the beginning of the first line.
An added tone chord, or added note chord, is a non- tertian chord composed of a triad and an extra "added" note. Any tone that is not a seventh factor is commonly categorized as an added tone. It can be outside the tertian sequence of ascending thirds from the root, such as the added sixth or fourth, or it can be in a chord that doesn't consist ...
A-flat major (or the key of A-flat) is a major scale based on A ♭, with the pitches A ♭, B ♭, C, D ♭, E ♭, F, and G. Its key signature has four flats .
The most common form of the diminished seventh chord is that rooted on the leading tone – for example, in the key of C, the chord (B–D–F–A ♭) – so its other constituents are the , , and ♭ (flat submediant) scale degrees.