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Dinuyogan sa átong mga pagbati. Atong awiton ug atong laylayon. Aron magmalípayon. Kasadya ni'ng Táknaa. Dapit sa kahimayaan. Mao ray among nakita, Ang panagway nga masanagon. Buláhan ug buláhan. Ang tagbaláy nga giawitan.
Magtanim ay 'Di Biro (transl. "Planting rice is never fun", [1] [a] and known in its English title as Planting Rice) [1] is a popular Tagalog folk song composed by Felipe de León. [2] [3] The song tells of the struggles of farmers, how one must twist and bend to plant rice in the muddy paddies all day, with no chance to sit nor stand. [2] [4]
The game is played by two or more players while clapping and chanting the following Tagalog verses: "Nanay, Tatay, gusto ko’ng tinapay, Ate, Kuya, gusto ko’ng kapé. Lahát ng gusto ko ay súsundin niyó; ang mágkamalì ay pípingutin ko!" (“Mummy, Daddy, I want some bread; Big sister, Big brother, I want coffee.
In 2015, Billboard included the video for "Wannabe" in their list of the Top Ten Most Iconic Girl Group Music Videos of All Time, noting: "They were basically unknown to U.S. audiences when the video for debut single 'Wannabe' -- a riotous, one-shot stroll through the Girls gleefully messing up some posh U.K. soiree -- premiered, but by the end ...
Bini (stylized in all caps; formerly Star Hunt Academy Girls or SHA Girls) is a Filipino girl group formed in 2019 through ABS-CBN's Star Hunt Academy (SHA). The group is composed of eight members: Aiah , Colet , Maloi , Gwen , Stacey , Mikha , Jhoanna , and Sheena .
Drummer: John Rutsey; First original song released; B Side of Not Fade Away single; Music: Geddy Lee; Lyrics: John Rutsey; Played by the band as early as 1971. Originally planned for inclusion on Rush's debut album, but scrapped in the end. The song has not been released in any format since the initial 1973 Moon Records release.
The nation's coat of arms showing its official name in Filipino, one of its two official languages.. There have been several names of the Philippines (Filipino: Pilipinas, [pɪlɪˈpinɐs]; Spanish: Filipinas) in different cultures and at different times, usually in reference to specific island groups within the current archipelago.
Kundiman was the traditional means of serenade in the Philippines. The kundiman emerged as an art song at the end of the 19th century and by the early 20th century, its musical structure was formalised by Filipino composers such as Francisco Santiago and Nicanor Abelardo; they sought poetry for their lyrics, blending verse and music in equal parts.