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The fourth song began with a catchy intro followed by simple alternating chords on a piano. The opening verse lines, both musically and lyrically, were something of a lament. The verse then transitioned into a soaring refrain that seemed to capture the essence of why people might want to go to a place like "Cheers"—a place "Where Everybody ...
Songs Without Words. Songs Without Words ( Lieder ohne Worte) is a series of short lyrical piano works by the Romantic composer Felix Mendelssohn written between 1829 and 1845. His sister, Fanny Mendelssohn, and other composers also wrote pieces in the same genre.
Caillat described the instrument as having "great action but also a dark quality". To achieve a brighter tone from the piano, Caillat used some tube U-47 microphones and applied some EQ to the instrument. McVie held down the piano's sustain pedal and played long single chords on beat 1 of the verses to create a "dramatic" effect. To extend the ...
For other uses, see Take Five (disambiguation). " Take Five " is a jazz standard composed by Paul Desmond. It was first recorded in 1959 and is the third track on Time Out by the Dave Brubeck Quartet. [ 1 ][ 2 ] Frequently covered by a variety of artists, the track is the biggest-selling jazz song of all time and a Grammy Hall of Fame inductee.
I got up, ran to a piano, and I wrote down the words that I heard in my mind and I played the chords on the piano and wrote down the names of the chords. Then I went back to sleep. And then the next day when I woke up, I remembered the song from the dream. I went to the piano and I saw my notes. I played the song and I thought, Well, this is ...
The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninoff between June 1900 and April 1901. The piece established his fame as a concerto composer and is one of his most enduringly popular pieces. After the disastrous 1897 premiere of his First Symphony, Rachmaninoff suffered a ...
The debut recording with Ethel Waters was recorded on Black Swan Records (1921) and rapidly became a hit. Her rendition features the rarely-heard 6-bar instrumental intro, [b] followed by her singing the 1st verse (16 bars, plus 1), then her singing the 1st chorus (16 bars, plus 2), then instruments playing 8, plus 2 bars of the chorus, finishing with her singing the 1st chorus (16 bars, plus 2).
Piano Concerto No. 2 in F major, Op. 102, by Dmitri Shostakovich was composed in 1957 for the 19th birthday of his son Maxim, who premiered the piece during his graduation concert at the Moscow Conservatory. It contains many similar elements to Shostakovich's Concertino for Two Pianos: both works were written to be accessible for developing ...
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