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  2. Film criticism - Wikipedia

    en.wikipedia.org/wiki/Film_criticism

    Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Academic criticism by film scholars, who study the composition of film theory and publish their findings and essays in books and journals, and general journalistic criticism that appears regularly in press ...

  3. Film semiotics - Wikipedia

    en.wikipedia.org/wiki/Film_semiotics

    Film semiotics is the study of sign process ( semiosis ), or any form of activity, conduct, or any process that involves signs, including the production of meaning, as these signs pertain to moving pictures. Film semiotics is used for the interpretation of many art forms, often including abstract art .

  4. Film theory - Wikipedia

    en.wikipedia.org/wiki/Film_theory

    Film theory. Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [ 1] and that now provides conceptual frameworks for understanding film 's relationship to reality, the other arts, individual viewers, and ...

  5. Psychology of film - Wikipedia

    en.wikipedia.org/wiki/Psychology_of_film

    A period of visual adaptation is necessary before being able to understand images in movies or on television. Viewers need sufficient exposure to cinematic techniques and the meanings attributed to them to adequately interpret the images on the screen. At a very young age, we learn how to watch videos and understand different editing techniques.

  6. Reader-response criticism - Wikipedia

    en.wikipedia.org/wiki/Reader-response_criticism

    Reader-response criticism relates to psychology, both experimental psychology for those attempting to find principles of response, and psychoanalytic psychology for those studying individual responses. Post- behaviorist psychologists of reading and of perception support the idea that it is the reader who makes meaning.

  7. Linguistic film theory - Wikipedia

    en.wikipedia.org/wiki/Linguistic_film_theory

    Linguistic film theory was proposed by Stanley Cavell [1] and it is based on the philosophical tradition begun by late Ludwig Wittgenstein.The theory itself is said to mirror aspects of the activity of Wittgenstein's own philosophising (e.g. Wittgenstein's thought experiments) as films are viewed capable of engaging the audience in a therapeutic process of 'dialogue' and even investigate the ...

  8. Visual literacy - Wikipedia

    en.wikipedia.org/wiki/Visual_literacy

    Visual literacy is the ability to interpret, negotiate, and make meaning from information presented in the form of an image, extending the meaning of literacy, which commonly signifies interpretation of a written or printed text. Visual literacy is based on the idea that pictures can be "read" and that meaning can be discovered through a ...

  9. Read-through - Wikipedia

    en.wikipedia.org/wiki/Read-through

    In film. The read-through is an important milestone in the production of most films. It is a clear signal that all of the key elements, including cast, finance, and heads of department, are in place and that pre-production is almost complete. It is often the first time that the script has had a life beyond the written word, and it is also an ...