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Norman Whitfield. Rose Royce singles chronology. "Do Your Dance (Part 1)" (1977) " Ooh Boy ". (1977) "Wishing on a Star". (1978) " Ooh Boy " (sometimes known as " Ooh Boy (I Love You So) ") is a song written by Norman Whitfield and originally recorded by American soul and R&B group Rose Royce for their second album, In Full Bloom (1977).
Oh, Danny boy, Oh Danny boy, I love you so! But when ye come, and all the flowers are dying, If I am dead, as dead I well may be, Ye'll come and find the place where I am lying, And kneel and say an Avé there for me. And I shall hear, though soft you tread above me, And all my grave will warmer, sweeter be, For you will bend and tell me that ...
"Oh, Boy!" is a song written by Sonny West, Bill Tilghman and Norman Petty. The song was included on the album The "Chirping" Crickets and was also released as the A-side of a single, with "Not Fade Away" as the B-side. The song peaked at number 10 on the US charts, [1] number 3 on the UK charts in early 1958, [2] and number 26 in Canada. [3]
A Day in the Life. " A Day in the Life " is a song by the English rock band the Beatles that was released as the final track of their 1967 album Sgt. Pepper's Lonely Hearts Club Band. Credited to Lennon–McCartney, the opening and closing sections of the song were mainly written by John Lennon, with Paul McCartney primarily contributing the ...
Promise you won't stray, dear For I love you so, Sonny Boy. When there are grey skies, I don't mind grey skies. You make them blue, Sonny Boy. Friends may forsake me. Let them all forsake me. I still have you, Sonny Boy. You're sent from heaven And I know your worth. You've made a heaven For me here on earth. And the angels grew lonely Took you ...
"Love Is Strange" is a crossover hit by American rhythm and blues duet Mickey & Sylvia, which was released in late November 1956 by the Groove record label. [ 1 ] The song was based on a guitar riff by Jody Williams and was written by Bo Diddley under the name of his wife at the time, Ethel Smith; it was recorded by Bo and Buddy Holly , among ...
The lyrics of the song are, in many places, exceedingly obscure, and present an unusual mixture of Christian catechesis, astronomical mnemonics, and what may be pagan cosmology. The musicologist Cecil Sharp , influential in the folklore revival in England, noted in his 1916 One Hundred English Folksongs that the words are "so corrupt, indeed ...
And no you can’t come to the wedding. I know he’s crazy but he’s the one I want. I’ll tell you something right now. You ain’t gotta pray for me, me and my wild boy and all this wild joy ...