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Published. 1949. Composer (s) Sammy Fain. Lyricist (s) Bob Hilliard. " Dear Hearts and Gentle People " is a popular song published in 1949 with music by Sammy Fain and lyrics by Bob Hilliard. The song refers to the singer's hometown, and different versions allude to a range of U.S. states .
See media help. " Believe Me, If All Those Endearing Young Charms " is a popular song written by the Irish poet Thomas Moore, setting new lyrics to a traditional Irish air that can be traced back into the 18th century. [ 1] He published it in 1808, naming the air as "My Lodging is on the Cold Ground" from lyrics of British origin with which it ...
Louisa T. Clare, 1861. Robert Stephen Hawker. " The Song of the Western Men ", also known as " Trelawny ", is a Cornish patriotic song, composed by Louisa T. Clare for lyrics by Robert Stephen Hawker. The poem was first published anonymously in The Royal Devonport Telegraph and Plymouth Chronicle in September 1826, over 100 years after the events.
Referent. Scottish silver stirrup cups, Hallmarked Edinburgh, 1917. The "parting glass", or "stirrup cup", was the final hospitality offered to a departing guest. Once they had mounted, they were presented one final drink to fortify them for their travels. The custom was practised in several continental countries.
Producer (s) Dino Airali. Phoebe Snow singles chronology. " Poetry Man ". (1974) "Harpo's Blues". (1975) " Poetry Man " is a song by the American singer-songwriter Phoebe Snow. It was written by Snow, produced by Dino Airali, and first appeared on her 1974 self-titled debut album .
The song "A Bad Dream" by Keane is based on the poem "An Irish Airman Foresees His Death". "Those Dancing Days Are Gone" and "Before the World Was Made" are both performed by Carla Bruni on the album "No Promises". "Song Of Wandering Aengus" was performed by Donovan, Judy Collins, Chris Thompson and many more.
The rest of the poem builds and builds until its end. The music in “The Weary Blues” is a metaphor for life as a black man. The color in the poem is symbolic of the black struggle. It starts with slave spirituals in which "slaves calculatingly created songs of double-entendre as an intellectual strategy", [6] as Hughes does in his poem ...
In 1970, the music group The Doors performed an impromptu version live in Chicago, with vocalist Jim Morrison changing the lyrics to "oh, the circle has been broken, me oh my Lord, me oh my." [5] In 1988, Spacemen 3 released a version of the song titled "May The Circle Be Unbroken" as one of the B-sides on their single "Revolution". Aside from ...