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Ahe Lau Makani, translated as The Soft Gentle Breeze [ 5] or There is a Zephyr, [ 2] is a famous waltz composed by Queen Liliʻuokalani around 1868. Probably written at Hamohamo, the Waikīkī home of the Queen, this song appeared in "He Buke Mele O Hawaii" under the title He ʻAla Nei E Māpu Mai Nei. Ahe Lau Makani is used only verse 1 and 2 ...
See media help. " Believe Me, If All Those Endearing Young Charms " is a popular song written by the Irish poet Thomas Moore, setting new lyrics to a traditional Irish air that can be traced back into the 18th century. [ 1] He published it in 1808, naming the air as "My Lodging is on the Cold Ground" from lyrics of British origin with which it ...
Published. 1949. Composer (s) Sammy Fain. Lyricist (s) Bob Hilliard. " Dear Hearts and Gentle People " is a popular song published in 1949 with music by Sammy Fain and lyrics by Bob Hilliard. The song refers to the singer's hometown, and different versions allude to a range of U.S. states .
The song "A Bad Dream" by Keane is based on the poem "An Irish Airman Foresees His Death". "Those Dancing Days Are Gone" and "Before the World Was Made" are both performed by Carla Bruni on the album "No Promises". "Song Of Wandering Aengus" was performed by Donovan, Judy Collins, Chris Thompson and many more.
Louisa T. Clare, 1861. Robert Stephen Hawker. " The Song of the Western Men ", also known as " Trelawny ", is a Cornish patriotic song, composed by Louisa T. Clare for lyrics by Robert Stephen Hawker. The poem was first published anonymously in The Royal Devonport Telegraph and Plymouth Chronicle in September 1826, over 100 years after the events.
The song was written by Dylan and produced by Bob Johnston. The song's lyrics, which in its original version contain twelve lines, feature a conversation between a joker and a thief. The song has been subject to various interpretations; some reviewers have noted that it echoes lines in the Book of Isaiah, Chapter 21, verses 5
Referent. Scottish silver stirrup cups, Hallmarked Edinburgh, 1917. The "parting glass", or "stirrup cup", was the final hospitality offered to a departing guest. Once they had mounted, they were presented one final drink to fortify them for their travels. The custom was practised in several continental countries.
The rest of the poem builds and builds until its end. The music in “The Weary Blues” is a metaphor for life as a black man. The color in the poem is symbolic of the black struggle. It starts with slave spirituals in which "slaves calculatingly created songs of double-entendre as an intellectual strategy", [6] as Hughes does in his poem ...