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In 1881, he collected the images in the portfolio The Attitudes of Animals in Motion, but kept the edition very limited because of plans for related book projects with Stanford and Marey. [ 26 ] Muybridge started lecturing about the horse pictures in July 1878, using a stereopticon to project the photographs and examples of the misconceptions ...
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Diagram of a human eye; note that not all eyes have the same anatomy as a human eye. The mammalian eye can also be divided into two main segments: the anterior segment and the posterior segment. [10] The human eye is not a plain sphere but is like two spheres combined, a smaller, more sharply curved one and a larger lesser curved sphere.
M. C. Escher. Maurits Cornelis Escher ( Dutch pronunciation: [ˈmʌurɪt͡s kɔrˈneːlɪs ˈɛʃər]; 17 June 1898 – 27 March 1972) was a Dutch graphic artist who made woodcuts, lithographs, and mezzotints, many of which were inspired by mathematics . Despite wide popular interest, for most of his life Escher was neglected in the art world ...
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The opening scene "Kilroy was here" graffiti at Bikini Atoll, atomic bomb test film in 1946. Kilroy was here is a meme [ 1] that became popular during World War II, typically seen in graffiti. Its origin is debated, but the phrase and the distinctive accompanying doodle became associated with GIs in the 1940s: a bald-headed man (sometimes ...
Cueva de las Manos. / 47.15583°S 70.65722°W / -47.15583; -70.65722. Cueva de las Manos ( Spanish for Cave of the Hands or Cave of Hands) is a cave and complex of rock art sites in the province of Santa Cruz, Argentina, 163 km (101 mi) south of the town of Perito Moreno. It is named for the hundreds of paintings of hands stenciled, in ...
Drawings of humans were rare and are usually schematic as opposed to the more detailed and naturalistic images of animal subjects. Kieran D. O'Hara, geologist, suggests in his book Cave Art and Climate Change that climate controlled the themes depicted. [29] Pigments used include red and yellow ochre, hematite, manganese oxide and charcoal.