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Alice Cooper singles chronology. "Muscle of Love". (1974) " Only Women Bleed ". (1975) "Department of Youth". (1975) " Only Women Bleed " is a song by American rock singer Alice Cooper, released on his debut solo studio album Welcome to My Nightmare (1975). It was written by Cooper and Dick Wagner and was the second single from the album to be ...
88 Lines About 44 Women. " 88 Lines About 44 Women " is a song by the new wave band the Nails. Initially recorded for their 1981 EP Hotel for Women, the song was re-recorded and released on the 1984 debut album Mood Swing. Along with the track "Let It All Hang Out", "88 Lines About 44 Women" peaked at number 46 on the US dance chart in March 1985.
Unstoppable (Sia song) " Unstoppable " is a song by Australian singer-songwriter Sia, taken from her seventh studio album This Is Acting (2016). The song was written by Sia and Christopher Braide, and produced by Jesse Shatkin. It was released as the album's final promotional single on 21 January 2016. In July 2016, a new version of the song ...
Lyricist (s) Jane Taylor. " Twinkle, Twinkle, Little Star " is an English lullaby. The lyrics are from an early-19th-century English poem written by Jane Taylor, "The Star". [ 1] The poem, which is in couplet form, was first published in 1806 in Rhymes for the Nursery, a collection of poems by Taylor and her sister Ann.
The English lyrics of the song were written by Paul Anka and are adapted version from the original French song. The song was a success for a variety of performers, including Sinatra, Elvis Presley, and Sid Vicious. Sinatra's version of "My Way" spent 75 weeks in the UK Top 40, which is the 4th most weeks in UK chart history.
A person singing karaoke in Hong Kong ("Run Away from Home" by Janice Vidal). Karaoke (/ ˌ k ær i ˈ oʊ k i /; [1] Japanese: ⓘ; カラオケ, clipped compound of Japanese kara 空 "empty" and ōkesutora オーケストラ "orchestra") is a type of interactive entertainment system usually offered in clubs and bars, where people sing along to pre-recorded accompaniment using a microphone.
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The Wire called it Stritch's "signature song", while The New York Times' obituary named it "her theme, until her 70s, when Sondheim's 'I'm Still Here' from Follies took over". [4] The Guardian described Stritch's performance of the song in the 1972 London production: Then Stritch's Joanne gets her solo, "The Ladies Who Lunch", and it's terrifying.