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  2. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...

  3. Overtones tuning - Wikipedia

    en.wikipedia.org/wiki/Overtones_tuning

    The open-string notes form a C major chord, which is the triad (C,E,G) having the root note C, the major third (C,E), and the perfect fifth (C,G). When the guitar is strummed without fretting even one string, a C-major chord is sounded. By barring all of the strings for one fret (from one to eleven), one finger suffices to fret the other eleven ...

  4. All fourths tuning - Wikipedia

    en.wikipedia.org/wiki/All_fourths_tuning

    For all-fourths tuning, all twelve major chords (in the first or open positions) are generated by two chords, the open F major chord and the D major chord. The regularity of chord-patterns reduces the number of finger positions that need to be memorized. [1]

  5. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    Guitar chord. Ry Cooder plays slide guitar using an open tuning that allows major chords to be played by barring the strings anywhere along their length. In music, a guitar chord is a set of notes played on a guitar. A chord's notes are often played simultaneously, but they can be played sequentially in an arpeggio.

  6. Regular tuning - Wikipedia

    en.wikipedia.org/wiki/Regular_tuning

    Regular tunings. For regular guitar-tunings, the distance between consecutive open-strings is a constant musical-interval, measured by semitones on the chromatic circle. The chromatic circle lists the twelve notes of the octave. Makes it difficult to play music written for standard tuning.

  7. Royal road progression - Wikipedia

    en.wikipedia.org/wiki/Royal_road_progression

    IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...

  8. Flamenco mode - Wikipedia

    en.wikipedia.org/wiki/Flamenco_mode

    Flamenco mode. Flamenco mode Play ⓘ. In music theory, the flamenco mode (also Major-Phrygian) is a harmonized mode or scale abstracted from its use in flamenco music. In other words, it is the collection of pitches in ascending order accompanied by chords representing the pitches and chords used together in flamenco songs and pieces.

  9. Tablature - Wikipedia

    en.wikipedia.org/wiki/Tablature

    Tablature(or tabfor short) is a form of musical notationindicating instrument fingering or the location of the played notes rather than musical pitches. Tablature is common for frettedstringed instruments such as the guitar, luteor vihuela, as well as many free reedaerophonessuch as the harmonica.