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A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers in enclosures all controlled by a mixing console that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. [1] [2] In many situations, a sound reinforcement system is also ...
A Soundfield microphone kit, consisting of the microphone and a signal processor, produces two distinct sets of audio signals called A-Format and B-Format. The sound processor may be either dedicated hardware, or a computer running software. The software processing may be done in real-time during the recording, or later offline.
Each system consists of a mixing board, sound processing equipment, amplifiers, and speakers. The microphones that are used to pick up vocals and amplifier sounds are routed through both the main and monitor systems. Audio engineers can set different sound levels for each microphone on the main and monitor systems.
ORTF setup. The ORTF stereo technique, also known as side-other-side, is a microphone technique used to record stereo sound. It was devised around 1960 at the now-defunct Office de Radiodiffusion Télévision Française (ORTF). This technique combines both the volume difference and the timing difference as sound arrives on- and off-axis at two ...
Ambisonics can be understood as a three-dimensional extension of M/S (mid/side) stereo, adding additional difference channels for height and depth. The resulting signal set is called B-format. Its component channels are labelled for the sound pressure (the M in M/S), for the front-minus-back sound pressure gradient, for left-minus-right (the S ...
Active noise control ( ANC ), also known as noise cancellation ( NC ), or active noise reduction ( ANR ), is a method for reducing unwanted sound by the addition of a second sound specifically designed to cancel the first. The concept was first developed in the late 1930s; later developmental work that began in the 1950s eventually resulted in ...
Calibration using pistonphones and sound calibrators. A pistonphone is an acoustical calibrator (sound source) that uses a closed coupling volume to generate a precise sound pressure for the calibration of measurement microphones. The principle relies on a piston mechanically driven to move at a specified cyclic rate, pushing on a fixed volume ...
The Decca Tree setup evolved from the idea of a minimal recording technique using a pair of microphones. The first system was developed by Roy Wallace. The microphone triangle was placed about 3 to 3.6 m high above the stage level, near the conductor. The microphone system is not properly in front of the orchestra, but more "into" the orchestra.