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De Colores. " De colores " ( [Made] of Colors) is a traditional Spanish language folk song that is well known throughout the Spanish-speaking world. [ 1] It is widely used in the Catholic Cursillo movement and related communities such as the Great Banquet, Chrysalis Flight, Tres Días, Walk to Emmaus, and Kairos Prison Ministry .
The original version of the song was also intended to be included on Pitbull's eleventh studio album Libertad 548 (released September 27, 2019), but it did not make the final tracklist. An additional full-English extended remix to the song, which was used for live performances by the artists, was released to DJ record pools and radios for airplay.
The opening bars of "The Minstrel Boy". By request of Moore to James Power during publication, the harmonized air of the song (as found in the Gibson-Massie collection of the Irish Melodies at Queen's University Belfast) is in the key G major, whilst this, the solo of the song, is (in Moore's words) a "note lower" in F major.
"Amapola" is a 1920 song by Spanish American composer José María Lacalle García (later Joseph Lacalle), who also wrote the original lyrics in Spanish. [3] Alternative Spanish lyrics were written by Argentine lyricist Luis Roldán in 1924. [4] French lyrics were written by Louis Sauvat and Robert Champfleury. After the death of Lacalle in ...
Guadalajara (song) " Guadalajara " is a well-known mariachi song written and composed by Pepe Guízar in 1937. [ 1][ 2] Guízar wrote the song in honor of his hometown, the city of the same name and state capital of the Mexican state of Jalisco .
Cucurrucucú paloma. " Cucurrucucú paloma " (Spanish for Coo-coo dove) is a Mexican huapango -style song written by Tomás Méndez in 1954. [ 1] The title is an onomatopeic reference to the characteristic call of the mourning dove, which is evoked in the refrain. The lyrics allude to love sickness .
Nuestro Himno. " Nuestro Himno " (Spanish for "Our Anthem") is a Spanish-language version of the United States national anthem, "The Star-Spangled Banner". The debut of the translation came amid a growing controversy over immigration in the United States (see 2006 U.S. immigration reform protests ).
After singing an opening verse, Joseph delivers his lyrics in a hard, staccato style of fast-paced rapping. [14] [16] The song's chorus and his proclamations come layered between verses that bear highly rhymthic sensibilities. [12] The track's instrumental also takes dub-inspired deviations. [17] At its bridge, Joseph engages in call-and ...