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The effect had been prefigured by composers including Francesco Pollini (1762–1846), a pupil of Mozart, whose 32 esercizi for the piano (1829), based on techniques found in the keyboard music of Johann Sebastian Bach and Jean-Philippe Rameau, included music written on three staves, and using interlocking hand positions, to generate the impression of three, or even four, hands.
In music, fingering, or on stringed instruments sometimes also called stopping, is the choice of which fingers and hand positions to use when playing certain musical instruments. Fingering typically changes throughout a piece; the challenge of choosing good fingering for a piece is to make the hand movements as comfortable as possible without ...
use of the palms of the hands or the fists—or indeed other body parts—to strike the keys: a technique sometimes known as "piano bashing". use of other materials to strike the keys, e.g. battery-operated motors with plastic gears to create continuous string vibrations, as in works by Roger Reynolds. bowing the strings with bundles of rosined ...
To change fingers on a key, the shorter finger is usually moved under the longer one in a quick motion. While finger substitution is a standard part of both piano and pipe organ pedagogy, performance practice experts argue that it was rarely done before the 18th century; instead, players simply relocated the hand or fingers to a new position.
The Virtuoso Pianist ( Le Pianiste virtuose) by Charles-Louis Hanon (1819 – 1900), is a compilation of sixty exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers and flexibility in the wrists. First published in Boulogne, in 1873, The Virtuoso Pianist is Hanon's most well-known work, and is ...
Position (music) On a string instrument, position is the relative location of the hand on the instrument's neck, indicated by ordinal numbers (e.g., 3rd). Fingering, independent of position, is indicated by numbers, 1-4. Different positions on the same string are reached through shifting. With experience, string players become accustomed to the ...
Finger-tapping consists of placing one hand with the finger pads on the keyboard, with the PIP joint as the highest point, and then using the other hand to tap on the DIP joint or the fingertips, then releasing the fingers, allowing them to return quickly to the surface. The technique is intended to make the hand learn how to minimize the ...
Locked hands style is a technique of chord voicing for the piano. Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in ...