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I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...
"Easy" is a song by American band Commodores from their fifth studio album, Commodores (1977), released on the Motown label. Group member Lionel Richie wrote "Easy" with the intention of it becoming another crossover hit for the group given the success of a previous single, "Just to Be Close to You", which spent two weeks at number one on the US Billboard Hot Soul Singles chart (now known as ...
The name for the progression, ōdō shinkō ( 王道 進行), literally translates to " royal road progression". In Japanese, the expression ōdō (王道, "royal road") is used to describe an easy or painless method to do something. An alternative term, koakuma chord progression, was originally coined by Japanese music producer Seiji Kameda on ...
Lyricist (s) Frank Loesser. " Heart and Soul " is a popular song composed by Hoagy Carmichael with lyrics by Frank Loesser. It charted with different artists between 1938 and 1961. A simplified version is a popular piano duet. Larry Clinton and his Orchestra were the first to record and release the song in 1938 with Bea Wain on vocals.
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of popular music ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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