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Digital Cinema Initiatives, LLC ( DCI) is a consortium of major motion picture studios, formed to establish specifications for a common systems architecture for digital cinema systems. The organization was formed in March 2002 by Metro-Goldwyn-Mayer, [a] Paramount Pictures, Sony Pictures, 20th Century Fox, [b] Universal Studios, Inc.,
In addition to the equipment already found in a film-based movie theatre (e.g., a sound reinforcement system, screen, etc.), a DCI-compliant digital cinema requires a DCI-compliant digital projector and a powerful computer known as a server. Movies are supplied to the theatre as a digital file called a Digital Cinema Package (DCP).
DCI-P3 is a color space first defined in 2005 as part of the Digital Cinema Initiative, to be used for digital theatrical motion picture distribution (DCDM). Display P3 is a variant developed by Apple Inc. for wide-gamut displays.
The Film Development Council of the Philippines ( FDCP) is the national film agency under the Office of the President of the Philippines responsible for film policies and programs to ensure the economic, cultural and educational development of the Philippine film industry. It aims to encourage the production of quality films and to conduct film ...
2K resolution is a generic term for display devices or content having a horizontal resolution of approximately 2,000 pixels. [1] In the movie projection industry, Digital Cinema Initiatives is the dominant standard for 2K output and defines a 2K format with a resolution of 2048 × 1080. [2] [3] For television and consumer media, the dominant ...
The Cinema of the Philippines ( Filipino: Pelikulang Pilipino; Spanish: Cine Filipino) began with the introduction of the first moving pictures to the country on August 31, 1897, at the Salón de Pertierra in Manila. The following year, local scenes were shot on film for the first time by a Spaniard, Antonio Ramos, using the Lumiere ...
Philippine New Wave (known as Filipino New Wave or Contemporary Philippine Cinema) is a filmmaking term that has been popularly associated with the resurgence of independent, digital and experimental films in the Philippines began in the 21st century, and merged into a recent filmmaking period known as the Third Golden Age of Philippine cinema.
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