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Version 2.0 is the second studio album by Scottish/American rock band Garbage. It was released on May 11, 1998, by Mushroom Records worldwide, with the North American release on Almo Sounds the following day. With this album, the band aimed to improve and expand upon the style of their 1995 eponymous debut rather than reinventing their sound.
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Serial port, parallel port, game port, Apple Desktop Bus, PS/2 port, and FireWire (IEEE 1394) Universal Serial Bus ( USB) is an industry standard that allows data exchange and delivery of power between many types of electronics. It specifies its architecture, in particular its physical interface, and communication protocols for data transfer ...
C# ( / ˌsiː ˈʃɑːrp / see SHARP) [b] is a general-purpose high-level programming language supporting multiple paradigms. C# encompasses static typing, [16] : 4 strong typing, lexically scoped, imperative, declarative, functional, generic, [16] : 22 object-oriented ( class -based), and component-oriented programming disciplines.
MIDI ( / ˈmɪdi /; Musical Instrument Digital Interface) is a technical standard that describes a communication protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music.
Anthology. (2022) Version 2.0: The Official Remixes is a remix album by American alternative rock group Garbage. It was released on July 6, 2018 on their own label Stunvolume. The album is made up of sixteen remixes and alternate versions from Garbage's second studio album Version 2.0 and was made available to all digital stores and streaming ...
Software versioning. Software versioning is the process of assigning either unique version names or unique version numbers to unique states of computer software. Within a given version number category (e.g., major or minor), these numbers are generally assigned in increasing order and correspond to new developments in the software.
Bluetooth is the Anglicised version of the Scandinavian Blåtand/Blåtann (or in Old Norse blátǫnn). It was the epithet of King Harald Bluetooth, who united the disparate Danish tribes into a single kingdom; Kardach chose the name to imply that Bluetooth similarly unites communication protocols.