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The famous clarinettist Heinrich Baermann and his son Carl for whom Mendelssohn composed the Konzertstücke opp. 113 and 114 (for clarinet, bassett horn and piano), were two of his close friends. These Konzertstücke are virtuoso concertante works, but the Sonata in E-flat major, written by Mendelssohn in 1824, when he was only 15, is genuine ...
Leonard Bernstein 's Sonata for Clarinet and Piano, [1] written during 1941–42 and published in 1942, was Bernstein's first published piece. [2] It is dedicated to clarinetist David Oppenheim, whom Bernstein met while studying conducting with Serge Koussevitzky at Tanglewood during the summers of 1940 and 1941.
three. The Clarinet Sonatas, Op. 120, Nos. 1 and 2, are a pair of works written for clarinet and piano by the Romantic composer Johannes Brahms. They were written in 1894 and are dedicated to the clarinetist Richard Mühlfeld. The sonatas stem from a period late in Brahms's life where he discovered the beauty of the sound and tonal colour of ...
Clarinet Sonata (Poulenc) The Sonate pour clarinette et piano ( Clarinet Sonata ), FP 184, for clarinet in B-flat and piano by Francis Poulenc dates from 1962 and is one of the last pieces he completed. It is dedicated to the memory of Arthur Honegger, who like Poulenc had belonged to the group Les Six. A typical performance takes 12–14 minutes.
A clarinet sonata is piece of music in sonata form for clarinet, often with piano accompaniment. The Clarinet Sonatas by Brahms are of special significance in the development of the clarinet repertoire. Several important transcriptions are also possible, including sonatas by Mozart, Schubert, Reinecke, Copland, and Prokofiev .
Printable version; Help. Pages in category "Compositions for clarinet and piano" The following 3 pages are in this category, out of 3 total. This ...
The Clarinet Sonata in E ♭ major, Op. 167, was written by Camille Saint-Saëns in 1921 as one of his last works. This clarinet sonata is the second of the three sonatas that Saint-Saëns composed for wind instruments , the other two being the Oboe Sonata (Op. 166) and the Bassoon Sonata (Op. 168), written the same year.
Style. The Sonatina reveals the influence of the neoclassicism of Francis Poulenc and Igor Stravinsky and the "rich palette of tone-colours" of Claude Debussy. [1] It is filled with dance ( polka) and march rhythms and virtuosic runs. Passages of a cheerful nature containing unexpected syncopations alternate with more earnest lyrical ones.
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