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Yellow music. Yellow music (Nhạc vàng) in Vietnam has two meanings. The first meaning is the lyrical and romantic music from pre-war, post-development in southern Vietnam in the period 1954s-1975s and later overseas as well as in the country after Đổi Mới, influenced by music of South Vietnam 1975s.
Traditional Vietnamese musical instruments. Traditional Vietnamese musical instruments are the musical instruments used in the traditional and classical musics of Vietnam. They comprise a wide range of string, wind, and percussion instruments, used by both the Viet ( Kinh) majority as well as the nation's ethnic minorities .
The Western-influenced popular music of Vietnam (Tân nhạc Việt Nam, "New music of Vietnam") developed from the 1940s–1980s. Singers, songwriters and singer-songwriters [ edit ] The Vietnam War and the plight of Vietnamese refugees inspired a collection of musical pieces that have become "classical" anthems among Vietnamese people both in ...
V-pop (Vietnamese: nhạc pop Việt Nam, nhạc trẻ or nhạc xanh), an abbreviation for Vietnamese popular music, is a music genre covering Vietnamese pop music from the 1990s to the present day. Etymology [ edit ]
V. V-pop. Vietnam National Symphony Orchestra. Vietnamese diasporic music. Popular music of Vietnam. Vọng cổ.
Nhạc đỏ or literally "Red Music" is the common name of the revolutionary music ( nhạc cách mạng) genre in Vietnam. [1] This genre of music began soon after the beginning of the 20th century during the French colonial period, advocating for independence, socialism and anti-colonialism. Red Music was later strongly promoted across North ...
Diasporic music as a special mixture of emotions has appealed not only the exiled Vietnamese but also residents in Vietnam. Diasporic music got a large number of fans in the homeland in spite of the fact that overseas music has been restricted especially in the public by the unified Vietnam government since 1975.
Quan họ. Quan họ ( Vietnamese: [kwaːn hɔ̂ˀ], chữ Hán: 官賀) singing is a Vietnamese folk music style characterized both by its antiphonal nature, with alternating groups of female and male singers issuing musical challenges and responses. Quan họ is common in rituals and festivals, and a common theme in many songs is love and ...