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Hip hop producers may be credited as the record producer or songwriter; they may also supervise recording sessions. [1] [2] [3] [4]Hip hop instrumentals are colloquially referred to as beats or musical compositions, while the composer is called either a programmer, songwriter, or beat maker.
A freestyle battle is a contest in which two or more rappers or MCs compete or "battle" each other using improvised lyrics. It is a prominent part of contemporary Hip Hop culture and originated in the African-American community. [ 21] In a freestyle battle, each competitor's goal is to "diss" their opponent through clever lyrics and wordplay ...
Chuck Philips, Los Angeles Times, 1992 Gangsta rap is a subgenre of hip hop that reflects the violent lifestyles of inner-city American black youths. Gangsta is a non-rhotic pronunciation of the word gangster. The genre was pioneered in the mid-1980s by rappers such as Schoolly D and Ice-T, and was popularized in the later part of the 1980s by groups like N.W.A. In 1985 Schoolly D released "P ...
Break (music) In popular music, a break is an instrumental or percussion section during a song derived from or related to stop-time – being a "break" from the main parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in ...
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Genge - from Kenya. Hip hop galsen - from Senegal. Hipco - from Liberia. Hiplife - hip hop and highlife from Ghana. Igbo rap - from Southeast Nigeria. Kwaito - South African house/hip hop fusion. Motswako - from Botswana and South Africa. Zenji flava - from Tanzania. European.
Origins. Lo-fi hip-hop originated within the underground beatmaking hip-hop scene of the 2000s, particularly after the advent of Roland SP-303 and Roland SP-404 samplers, each of which featured the "lo-fi" effect as a separate button. [ 6] Vice contributor Luke Winkie suggested that "if there is one shared touchstone for lo-fi hip-hop, it's ...
J Dilla's music raised the artistic level of hip-hop production in Detroit. [10] According to The Guardian, "His affinity for crafting lengthy, melodic loops peppered with breakbeats and vocal samples took instrumental hip-hop into new, more musically complex realms."
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