Search results
Results From The WOW.Com Content Network
"Locomotive Breath" was released on Jethro Tull's 1971 album Aqualung in 1971. An edit of the song was released in the US as a single in 1971, backed with "Wind-Up", though it did not chart. A 1976 single release of the song, backed with "Fat Man", was more successful, reaching number 59 on the Billboard charts [8] and number 85 in Canada. [9]
The song was written by the band's frontman, Ian Anderson, and his then-wife Jennie Franks. While this track was never a single, its self-titled album Aqualung was Jethro Tull's first American Top 10 album, reaching number seven in June 1971. [4] After "Locomotive Breath", it is the song most often played in concert by Jethro Tull. [5]
The songs on the album encompass a variety of musical genres, with elements of folk, blues, psychedelia, and hard rock. [11] The "riff-heavy" nature of tracks such as "Locomotive Breath", "Hymn 43" and "Wind Up" is regarded as a factor in the band's increased success after the release of the album, with Jethro Tull becoming "a major arena act" and a "fixture on FM radio" according to AllMusic.
The song was Minogue's second single to chart in the U.S., but her first to reach the top ten. To this day, the song remains as her highest-charting single in the United States; however, her second overall and most recent song to reach the top ten, 2002's "Can't Get You Out of My Head", ended up outselling "The Loco-Motion". In Canada, the song ...
Official performance video. "The Code" (Semi-Final 2) on YouTube. "The Code" (Grand Final) on YouTube. " The Code " is a song by Swiss singer Nemo. It was written by Nemo along with three other song writers, and was released on 29 February 2024 through Better Now Records. It represented Switzerland in the Eurovision Song Contest 2024, where it ...
The song has been met with positive reviews throughout the years since its release. [9] In 2021, the website Ultimate Classic Rock said this about the song "The band's newfound musical maturity was readily apparent in the haunting, " Layla "-esque coda to "Locomotive," replete with urgent piano chords, Axl Rose 's multi-tracked crooning and one ...
Songwriter Ian Anderson described the song as "a blues for Jesus, about the gory, glory seekers who use his name as an excuse for a lot of unsavoury things. You know, 'Hey Dad, it's not my fault — the missionaries lied.'" [3] Sean Murphy of PopMatters wrote that, "For “Hymn 43” Anderson sets his sights on the US and in quick order sets about decimating the hypocrisy and myth-making of ...
The arrangement requires temple blocks to be used as the sound of the clock that is heard throughout, except for a brief section in the middle. The piece is in 4 4 time; the opening establishes a perfectly regular "tick-tock" accompaniment, beginning with a roll off the orchestra's staccato strike of an A chord, creating an expectation that it will continue.