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  2. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [ 1] Rotations include: I–V–vi–IV : C–G–Am–F. V ...

  3. You Can Play These Songs with Chords - Wikipedia

    en.wikipedia.org/wiki/You_Can_Play_These_Songs...

    C [10] You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard. This demo was originally released on cassette by Elsinor Records. It proved so popular, Gibbard recruited other musicians to make a full band, which would go on to record ...

  4. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    This is a partial list of recorded songs containing the '50s progression. The list does not include songs containing the progression for very short, irrelevant sections of the songs. In some cases, such as "Blue Moon", it includes notable remade recordings of songs ("covers") by other artists; but mostly the songs are shown in their original ...

  5. The Sound of Silence - Wikipedia

    en.wikipedia.org/wiki/The_Sound_of_Silence

    "The Sound of Silence" (originally "The Sounds of Silence") is a song by the American folk rock duo Simon & Garfunkel, written by Paul Simon. The duo's studio audition of the song led to a record deal with Columbia Records, and the original acoustic version was recorded in March 1964 at Columbia's 7th Avenue Recording Studios in New York City for their debut album, Wednesday Morning, 3 A.M ...

  6. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    The key note, or tonic, of a piece of music is called note number one, the first step of (here), the ascending scale iii–IV–V. Chords built on several scale degrees are numbered likewise. Thus the chord progression E minor–F–G can be described as three–four–five, (or iii–IV–V). A chord may be built upon any note of a musical scale.

  7. Royal road progression - Wikipedia

    en.wikipedia.org/wiki/Royal_road_progression

    IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...

  8. List of songs recorded by Buddy Holly - Wikipedia

    en.wikipedia.org/wiki/List_of_songs_recorded_by...

    List of songs with songwriter(s), original release, year, and other release(s) on albums Song Artist Credited songwriter(s) Original album release Year Other release(s) on albums "Ain't Got No Home" Buddy Holly [a] Clarence "Frogman" Henry: Giant: 1969 " Baby, Won't You Come Out Tonight " Buddy Holly [a] Buddy Holly, Don Guess: Reminiscing: 1963

  9. Pet Sounds - Wikipedia

    en.wikipedia.org/wiki/Pet_Sounds

    —Tony Asher Asher maintained that he served mainly as a source of second opinion for Wilson as he worked out possible melodies and chord progressions, although the two did trade ideas as the songs evolved. On his role as co-lyricist, he said, "The general tenor of the lyrics was always his... and the actual choice of words was usually mine. I was really just his interpreter." Asher later ...